Vedic Tithi
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Carnatic Music

ಕರ್ಣಾಟಕ ಸಙ್ಗೀತಮ್ - ಅಲಙ್ಕಾರಾಃ

Carnatic Music

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ಕರ್ಣಾಟಕ ಸಙ್ಗೀತಮ್ - ಅಲಙ್ಕಾರಾಃ

ರಾಗಮ್: ಮಾಯಾ ಮಾಲವ ಗೌಲ (ಮೇಲಕರ್ತ 15)

ಸ್ವರ ಸ್ಥಾನಾಃ: ಷಡ್ಜಮ್, ಶುದ್ಧ ಋಷಭಮ್, ಅನ್ತರ ಗಾನ್ಧಾರಮ್, ಶುದ್ಧ ಮಧ್ಯಮಮ್, ಪಞ್ಚಮಮ್, ಶುದ್ಧ ಧೈವತಮ್, ಕಾಕಲಿ ನಿಷಾದಮ್

ಆರೋಹಣ: ಸ ರಿ1 . . ಗ3 ಮ1 . ಪ ದ1 . . ನಿ3 ಸ'

ಅವರೋಹಣ: ಸ' ನಿ3 . . ದ1 ಪ . ಮ1 ಗ3 . . ರಿ1 ಸ

ಚತುರಸ್ರ ಜಾತಿ ಧ್ರುವ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (4 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) + 1 ಲಘು (4 ಕಾಲ) + 1 ಲಘು (4 ಕಾಲ) = 14 ಕಾಲ

ಸ    ರಿ   ಗ    ಮ    ।    ಗ    ರಿ   ।    ಸ    ರಿ   ಗ    ರಿ   ।    ಸ    ರಿ   ಗ    ಮ    ॥

ರಿಗಮಪ।ಮಗ।ರಿಗಮಗ।ರಿಗಮಪ॥

ಗ    ಮ    ಪ    ದ    ।    ಪ    ಮ    ।    ಗ    ಮ    ಪ    ಮ    ।    ಗ    ಮ    ಪ    ದ    ॥

ಮಪದನಿ।ದಪ।ಮಪದಪ।ಮಪದನಿ॥

ಪ    ದ    ನಿ   ಸ'   ।    ನಿ   ದ    ।    ಪ    ದ    ನಿ   ದ    ।    ಪ    ದ    ನಿ   ಸ'   ॥

ಸ'ನಿದಪ।ದನಿ।ಸ'ನಿದನಿ।ಸ'ನಿದಪ॥

ನಿ   ದ    ಪ    ಮ    ।    ಪ    ದ    ।    ನಿ   ದ    ಪ    ದ    ।    ನಿ   ದ    ಪ    ಮ    ॥

ದಪಮಗ।ಮಪ।ದಪಮಪ।ದಪಮಗ॥

ಪ    ಮ    ಗ    ರಿ   ।    ಗ    ಮ    ।    ಪ    ಮ    ಗ    ಮ    ।    ಪ    ಮ    ಗ    ರಿ   ॥

ಮಗರಿಸ।ರಿಗ।ಮಗರಿಗ।ಮಗರಿಸ॥

ಚತುರಸ್ರ ಜಾತಿ ಮಟ್ಯ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (4 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) + 1 ಲಘು (4 ಕಾಲ) = 10 ಕಾಲ

ಸ    ರಿ   ಗ    ರಿ   ।    ಸ    ರಿ   ।    ಸ    ರಿ   ಗ    ಮ    ॥

ರಿಗಮಗ।ರಿಗ।ರಿಗಮಪ॥

ಗ    ಮ    ಪ    ಮ    ।    ಗ    ಮ    ।    ಗ    ಮ    ಪ    ದ    ॥

ಮಪದಪ।ಮಪ।ಮಪದನಿ॥

ಪ    ದ    ನಿ   ದ    ।    ಪ    ದ    ।    ಪ    ದ    ನಿ   ಸ'   ॥

ಸ'ನಿದನಿ।ಸ'ನಿ।ಸ'ನಿದಪ॥

ನಿ   ದ    ಪ    ದ    ।    ನಿ   ದ    ।    ನಿ   ದ    ಪ    ಮ    ॥

ದಪಮಪ।ದಪ।ದಪಮಗ॥

ಪ    ಮ    ಗ    ಮ    ।    ಪ    ಮ    ।    ಪ    ಮ    ಗ    ರಿ   ॥

ಮಗರಿಗ।ಮಗ।ಮಗರಿಸ॥

ಚತುರಸ್ರ ಜಾತಿ ರೂಪಕ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (2 ಕಾಲ) + 1 ಧೃತಮ್ (4 ಕಾಲ) = 6 ಕಾಲ

ಸ    ರಿ   ।    ಸ    ರಿ   ಗ    ಮ    ॥

ರಿಗ।ರಿಗಮಪ॥

ಗ    ಮ    ।    ಗ    ಮ    ಪ    ದ    ॥

ಮಪ।ಮಪದನಿ॥

ಪ    ದ    ।    ಪ    ದ    ನಿ   ಸ'   ॥

ಸ'ನಿ।ಸ'ನಿದಪ॥

ನಿ   ದ    ।    ನಿ   ದ    ಪ    ಮ    ॥

ದಪ।ದಪಮಗ॥

ಪ    ಮ    ।    ಪ    ಮ    ಗ    ರಿ   ॥

ಮಗ।ಮಗರಿಸ॥

ಮಿಶ್ರ ಜಾತಿ ಝಮ್ಪ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (7 ಕಾಲ) + 1 ಅನುಧೃತಮ್ (1 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) = 10 ಕಾಲ

ಸ    ರಿ   ಗ    ಸ    ರಿ   ಸ    ರಿ   ।    ಗ    ।    ಮ    ,    ॥

ರಿಗಮರಿಗರಿಗ।ಮ।ಪ,॥

ಗ    ಮ    ಪ    ಗ    ಮ    ಗ    ಮ    ।    ಪ    ।    ದ    ,    ॥

ಮಪದಮಪಮಪ।ದ।ನಿ,॥

ಪ    ದ    ನಿ   ಪ    ದ    ಪ    ದ    ।    ನಿ   ।    ಸ'   ,    ॥

ಸ'ನಿದಸ'ನಿಸ'ನಿ।ದ।ಪ,॥

ನಿ   ದ    ಪ    ನಿ   ದ    ನಿ   ದ    ।    ಪ    ।    ಮ    ,    ॥

ದಪಮದಪದಪ।ಮ।ಗ,॥

ಪ    ಮ    ಗ    ಪ    ಮ    ಪ    ಮ    ।    ಗ    ।    ರಿ   ,    ॥

ಮಗರಿಮಗಮಗ।ರಿ।ಸ,॥

ತಿಸ್ರ ಜಾತಿ ತ್ರಿಪುಟ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (3 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) = 7 ಕಾಲ

ಸ    ರಿ   ಗ    ।    ಸ    ರಿ   ।    ಗ    ಮ    ॥

ರಿಗಮ।ರಿಗ।ಮಪ॥

ಗ    ಮ    ಪ    ।    ಗ    ಮ    ।    ಪ    ದ    ॥

ಮಪದ।ಮಪ।ದನಿ॥

ಪ    ದ    ನಿ   ।    ಪ    ದ    ।    ನಿ   ಸ'   ॥

ಸ'ನಿದ।ಸ'ನಿ।ದಪ॥

ನಿ   ದ    ಪ    ।    ನಿ   ದ    ।    ಪ    ಮ    ॥

ದಪಮ।ದಪ।ಮಗ॥

ಪ    ಮ    ಗ    ।    ಪ    ಮ    ।    ಗ    ರಿ   ॥

ಮಗರಿ।ಮಗ।ರಿಸ॥

ಖಣ್ಡ ಜಾತಿ ಅಟ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (5 ಕಾಲ) + 1 ಲಘು (5 ಲಘು) + 1 ಧೃತಮ್ (2 ಕಾಲ) + 1 ಧೃತಮ್ (2 ಕಾಲ) = 14 ಕಾಲ

ಸ    ರಿ   ,    ಗ    ,    ।    ಸ    ,    ರಿ   ಗ    ,    ।    ಮ    ,    ।    ಮ    ,    ॥

ರಿಗ,ಮ,।ರಿ,ಗಮ,।ಪ,।ಪ,॥

ಗ    ಮ    ,    ಪ    ,    ।    ಗ    ,    ಮ    ಪ    ,    ।    ದ    ,    ।    ದ    ,    ॥

ಮಪ,ದ,।ಮ,ಪದ,।ನಿ,।ನಿ,॥

ಪ    ದ    ,    ನಿ   ,    ।    ಪ    ,    ದ    ನಿ   ,    ।    ಸ'   ,    ।    ಸ'   ,    ॥

ಸ'ನಿ,ದ,।ಸ',ನಿದ,।ಪ,।ಪ,॥

ನಿ   ದ    ,    ಪ    ,    ।    ನಿ   ,    ದ    ಪ    ,    ।    ಮ    ,    ।    ಮ    ,    ॥

ದಪ,ಮ,।ದ,ಪಮ,।ಗ,।ಗ,॥

ಪ    ಮ    ,    ಗ    ,    ।    ಪ    ,    ಮ    ಗ    ,    ।    ರಿ   ,    ।    ರಿ   ,    ॥

ಮಗ,ರಿ,।ಮ,ಗರಿ,।ಸ,।ಸ,॥

ಚತುರಸ್ರ ಜಾತಿ ಏಕ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (4 ಕಾಲ)

ಸ    ರಿ   ಗ    ಮ    ॥

ರಿಗಮಪ॥

ಗ    ಮ    ಪ    ದ    ॥

ಮಪದನಿ॥

ಪ    ದ    ನಿ   ಸ'   ॥

ಸ'ನಿದಪ॥

ನಿ   ದ    ಪ    ಮ    ॥

ದಪಮಗ॥

ಪ    ಮ    ಗ    ರಿ   ॥

ಮಗರಿಸ॥

ಸನ್ಕೀರ್ಣ ಜಾತಿ ಏಕ ತಾಲಮ್:

ಅಙ್ಗಾಃ: 1 ಲಘು (9 ಕಾಲ)

ಸ    ,    ರಿ   ,    ಗ    ,    ಮ    ಪ    ದ    ॥

ರಿ,ಗ,ಮ,ಪದನಿ॥

ಗ    ,    ಮ    ,    ಪ    ,    ದ    ನಿ   ಸ'   ॥

ಸ',ನಿ,ದ,ಪಮಗ॥

ನಿ   ,    ದ    ,    ಪ    ,    ಮ    ಗ    ರಿ   ॥

ದ,ಪ,ಮ,ಗರಿಸ॥

ವಿಕಲ್ಪಃ

ಸ    ರಿ   ,    ಗ    ಮ    ,    ಪ    ದ    ನಿ   ॥

ರಿಗ,ಮಪ,ದನಿಸ'॥

ಸ'   ನಿ   ,    ದ    ಪ    ,    ಮ    ಗ    ರಿ   ॥

ನಿದ,ಪಮ,ಗರಿಸ॥

About This Stotram

Overview

The Carnatic Music Alankarams are a set of foundational melodic exercises used in the pedagogy of Carnatic classical music, presented here in Devanagari script. Alankarams train the voice and develop familiarity with ragas (melodic frameworks) and talas (rhythmic cycles), with exercises in this collection based on the raga Mayamalavagowla and the Chaturasra Jati Dhruva Talam. They belong to the South Indian classical music tradition.

What are the benefits of chanting Carnatic Music Alankarams?

  • Development of vocal clarity and control
  • Familiarity with the structure of Carnatic ragas
  • Improvement of rhythmic precision and tala awareness
  • Foundation for advanced Carnatic music practice

When is the best time to recite this?

Alankarams are practiced during daily music study sessions. Morning and evening practice periods are traditional in Carnatic pedagogy, and consistent daily repetition is the recommended approach for developing the patterns.

What is the historical and traditional background?

Carnatic music is the classical music tradition of South India, with a history spanning several centuries. Alankarams occupy the first stage of formal instruction in the tradition, preceding geethams and more advanced forms. Mayamalavagowla, the raga used for these exercises, is consistently chosen as the first raga for beginners because it presents all seven basic swaras (notes) in a structurally clear manner. The specific compilation presented here is a pedagogical collection rather than a devotional hymn with a traceable scriptural origin.

Available scripts

This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.

Related Texts

  • Carnatic Music Geethams — the next stage of Carnatic music instruction, consisting of simple melodic compositions following alankarams
  • Carnatic Music Svarajathis — more advanced Carnatic compositions that combine melodic passages with devotional lyrics