Sri Taramba Ashtottara Sata Namavali
Sri Taramba Ashtottara Sata Namavali
Sri Taramba Ashtottara Sata Namavali
śrī tārāmbā aṣṭottara śata nāmāvaliḥ
oṃ tāriṇyai namaḥ |
oṃ taralāyai namaḥ |
oṃ tanvyai namaḥ |
oṃ tārāyai namaḥ |
oṃ taruṇavallaryai namaḥ |
oṃ tārarūpāyai namaḥ |
oṃ taryai namaḥ |
oṃ śyāmāyai namaḥ |
oṃ tanukṣīṇapayodharāyai namaḥ |
oṃ turīyāyai namaḥ | 10 |
oṃ taruṇāyai namaḥ |
oṃ tīvragamanāyai namaḥ |
oṃ nīlavāhinyai namaḥ |
oṃ ugratārāyai namaḥ |
oṃ jayāyai namaḥ |
oṃ caṇḍyai namaḥ |
oṃ śrīmadekajaṭāśirāyai namaḥ |
oṃ taruṇyai namaḥ |
oṃ śāmbhavyai namaḥ |
oṃ chinnaphālāyai namaḥ | 20 |
oṃ bhadradāyinyai namaḥ |
oṃ ugrāyai namaḥ |
oṃ ugraprabhāyai namaḥ |
oṃ nīlāyai namaḥ |
oṃ kṛṣṇāyai namaḥ |
oṃ nīlasarasvatyai namaḥ |
oṃ dvitīyāyai namaḥ |
oṃ śobhanāyai namaḥ |
oṃ nityāyai namaḥ |
oṃ navīnāyai namaḥ | 30 |
oṃ nityabhīṣaṇāyai namaḥ |
oṃ caṇḍikāyai namaḥ |
oṃ vijayārādhyāyai namaḥ |
oṃ devyai namaḥ |
oṃ gaganavāhinyai namaḥ |
oṃ aṭṭahāsāyai namaḥ |
oṃ karālāsyāyai namaḥ |
oṃ carāsyāyai namaḥ |
oṃ īśapūjitāyai namaḥ |
oṃ saguṇāyai namaḥ | 40 |
oṃ asaguṇāyai namaḥ |
oṃ ārādhyāyai namaḥ |
oṃ harīndrādiprapūjitāyai namaḥ |
oṃ raktapriyāyai namaḥ |
oṃ raktākṣyai namaḥ |
oṃ rudhirāsyavibhūṣitāyai namaḥ |
oṃ balipriyāyai namaḥ |
oṃ baliratāyai namaḥ |
oṃ durgāyai namaḥ |
oṃ balavatyai namaḥ | 50 |
oṃ balāyai namaḥ |
oṃ balapriyāyai namaḥ |
oṃ balaratyai namaḥ |
oṃ balarāmaprapūjitāyai namaḥ |
oṃ ardhakeśeśvaryai namaḥ |
oṃ keśāyai namaḥ |
oṃ keśavāyai namaḥ |
oṃ sragvibhūṣitāyai namaḥ |
oṃ padmamālāyai namaḥ |
oṃ padmākṣyai namaḥ | 60 |
oṃ kāmākhyāyai namaḥ |
oṃ girinandinyai namaḥ |
oṃ dakṣiṇāyai namaḥ |
oṃ dakṣāyai namaḥ |
oṃ dakṣajāyai namaḥ |
oṃ dakṣiṇeratāyai namaḥ |
oṃ vajrapuṣpapriyāyai namaḥ |
oṃ raktapriyāyai namaḥ |
oṃ kusumabhūṣitāyai namaḥ |
oṃ māheśvaryai namaḥ | 70 |
oṃ mahādevapriyāyai namaḥ |
oṃ pannagabhūṣitāyai namaḥ |
oṃ iḍāyai namaḥ |
oṃ piṅgalāyai namaḥ |
oṃ suṣumnāprāṇarūpiṇyai namaḥ |
oṃ gāndhāryai namaḥ |
oṃ pañcamyai namaḥ |
oṃ pañcānanādiparipūjitāyai namaḥ |
oṃ tathyavidyāyai namaḥ |
oṃ tathyarūpāyai namaḥ | 80 |
oṃ tathyamārgānusāriṇyai namaḥ |
oṃ tattvarūpāyai namaḥ |
oṃ tattvapriyāyai namaḥ |
oṃ tattvajñānātmikāyai namaḥ |
oṃ anaghāyai namaḥ |
oṃ tāṇḍavācārasantuṣṭāyai namaḥ |
oṃ tāṇḍavapriyakāriṇyai namaḥ |
oṃ tālanādaratāyai namaḥ |
oṃ krūratāpinyai namaḥ |
oṃ taraṇiprabhāyai namaḥ | 90 |
oṃ trapāyuktāyai namaḥ |
oṃ trapāmuktāyai namaḥ |
oṃ tarpitāyai namaḥ |
oṃ tṛptikāriṇyai namaḥ |
oṃ tāruṇyabhāvasantuṣṭāyai namaḥ |
oṃ śaktibhaktānurāgiṇyai namaḥ |
oṃ śivāsaktāyai namaḥ |
oṃ śivaratyai namaḥ |
oṃ śivabhaktiparāyaṇāyai namaḥ |
oṃ tāmradyutyai namaḥ | 100 |
oṃ tāmrarāgāyai namaḥ |
oṃ tāmrapātraprabhojinyai namaḥ |
oṃ balabhadrapremaratāyai namaḥ |
oṃ balibhuje namaḥ |
oṃ balikalpanyai namaḥ |
oṃ rāmapriyāyai namaḥ |
oṃ rāmaśaktyai namaḥ |
oṃ rāmarūpānukāriṇī namaḥ | 108 |
About This Stotram
Sri Taramba Ashtottara Sata Namavali
Sanskrit Title: श्री ताराम्बा अष्टोत्तर शत नामावलिः
IAST Transliteration:
Overview
The Sri Taramba Ashtottara Sata Namavali is a devotional hymn dedicated to Goddess Tara, who is often associated with Rama in certain traditions, particularly in Tantric and Shakta practices where Tara is a prominent Mahavidya. The name 'Taramba' itself suggests a maternal or feminine aspect of the divine, and 'Tara' means 'star' or 'one who ferries across'. Reciting the 108 names is believed to invoke the blessings of the deity, offering spiritual protection, guidance, and the means to overcome worldly difficulties, thus 'ferrying' the devotee across the ocean of existence. The repetition of 'Om' and 'Namah' signifies the invocation and salutation to the divine.
Details
| Attribute | Information |
|---|---|
| Deity | Rama |
| Author | Unknown |
| Type | Namavali |
| Category | Namavali |
| Number of Verses | 108 |
| Origin | The origin of the Sri Taramba Ashtottara Sata Namavali is not explicitly stated in the provided text. Ashtottara Sata Namavali (meaning '108 names') are devotional hymns that typically list the names of a deity, each preceded by 'Om' and followed by 'Namah' (salutations). These are common in Hindu devotional traditions and are often found as standalone compositions or as part of larger texts. Given the deity is Rama, it's likely a Vaishnava devotional hymn. |
Benefits of Recitation
- Attainment of divine grace
- Removal of obstacles
- Protection from negative influences
- Spiritual growth and enlightenment
- Fulfillment of desires
Best Time to Recite
Morning, evening, during periods of spiritual practice, or when seeking divine intervention.
Historical Context
Ashtottara Sata Namavali compositions are a widespread form of Hindu devotional literature, prevalent across various traditions. The specific historical context of this particular Namavali is not documented in the provided information. However, the deity 'Rama' as the primary focus, combined with 'Taramba' (a form of Tara), suggests a possible syncretic tradition or a specific lineage where Rama is invoked through the energies of Tara. The composition date and author are unknown, as is common for many such devotional compilations that have evolved organically within religious communities.
Alternate Names
- Sri Rama Taramba Ashtottara Sata Namavali
- Taramba Namavali
Related Stotrams
- Sri Rama Ashtottara Sata Namavali
- Tara Ashtottara Sata Namavali