Sri Taramba Ashtottara Sata Namavali
Sri Taramba Ashtottara Sata Namavali
শ্রী তারাম্বা অষ্টোত্তর শত নামাবলিঃ
ওঁ তারিণ্যৈ নমঃ ।
ওঁ তরলাযৈ নমঃ ।
ওঁ তন্ব্যৈ নমঃ ।
ওঁ তারাযৈ নমঃ ।
ওঁ তরুণবল্লর্যৈ নমঃ ।
ওঁ তাররূপাযৈ নমঃ ।
ওঁ তর্যৈ নমঃ ।
ওঁ শ্যামাযৈ নমঃ ।
ওঁ তনুক্ষীণপযোধরাযৈ নমঃ ।
ওঁ তুরীযাযৈ নমঃ । 10 ।
ওঁ তরুণাযৈ নমঃ ।
ওঁ তীব্রগমনাযৈ নমঃ ।
ওঁ নীলবাহিন্যৈ নমঃ ।
ওঁ উগ্রতারাযৈ নমঃ ।
ওঁ জযাযৈ নমঃ ।
ওঁ চণ্ড্যৈ নমঃ ।
ওঁ শ্রীমদেকজটাশিরাযৈ নমঃ ।
ওঁ তরুণ্যৈ নমঃ ।
ওঁ শাম্ভব্যৈ নমঃ ।
ওঁ ছিন্নফালাযৈ নমঃ । 20 ।
ওঁ ভদ্রদাযিন্যৈ নমঃ ।
ওঁ উগ্রাযৈ নমঃ ।
ওঁ উগ্রপ্রভাযৈ নমঃ ।
ওঁ নীলাযৈ নমঃ ।
ওঁ কৃষ্ণাযৈ নমঃ ।
ওঁ নীলসরস্বত্যৈ নমঃ ।
ওঁ দ্বিতীযাযৈ নমঃ ।
ওঁ শোভনাযৈ নমঃ ।
ওঁ নিত্যাযৈ নমঃ ।
ওঁ নবীনাযৈ নমঃ । 30 ।
ওঁ নিত্যভীষণাযৈ নমঃ ।
ওঁ চণ্ডিকাযৈ নমঃ ।
ওঁ বিজযারাধ্যাযৈ নমঃ ।
ওঁ দেব্যৈ নমঃ ।
ওঁ গগনবাহিন্যৈ নমঃ ।
ওঁ অট্টহাসাযৈ নমঃ ।
ওঁ করালাস্যাযৈ নমঃ ।
ওঁ চরাস্যাযৈ নমঃ ।
ওঁ ঈশপূজিতাযৈ নমঃ ।
ওঁ সগুণাযৈ নমঃ । 40 ।
ওঁ অসগুণাযৈ নমঃ ।
ওঁ আরাধ্যাযৈ নমঃ ।
ওঁ হরীন্দ্রাদিপ্রপূজিতাযৈ নমঃ ।
ওঁ রক্তপ্রিযাযৈ নমঃ ।
ওঁ রক্তাক্ষ্যৈ নমঃ ।
ওঁ রুধিরাস্যবিভূষিতাযৈ নমঃ ।
ওঁ বলিপ্রিযাযৈ নমঃ ।
ওঁ বলিরতাযৈ নমঃ ।
ওঁ দুর্গাযৈ নমঃ ।
ওঁ বলবত্যৈ নমঃ । 50 ।
ওঁ বলাযৈ নমঃ ।
ওঁ বলপ্রিযাযৈ নমঃ ।
ওঁ বলরত্যৈ নমঃ ।
ওঁ বলরামপ্রপূজিতাযৈ নমঃ ।
ওঁ অর্ধকেশেশ্বর্যৈ নমঃ ।
ওঁ কেশাযৈ নমঃ ।
ওঁ কেশবাযৈ নমঃ ।
ওঁ স্রগ্বিভূষিতাযৈ নমঃ ।
ওঁ পদ্মমালাযৈ নমঃ ।
ওঁ পদ্মাক্ষ্যৈ নমঃ । 60 ।
ওঁ কামাখ্যাযৈ নমঃ ।
ওঁ গিরিনন্দিন্যৈ নমঃ ।
ওঁ দক্ষিণাযৈ নমঃ ।
ওঁ দক্ষাযৈ নমঃ ।
ওঁ দক্ষজাযৈ নমঃ ।
ওঁ দক্ষিণেরতাযৈ নমঃ ।
ওঁ বজ্রপুষ্পপ্রিযাযৈ নমঃ ।
ওঁ রক্তপ্রিযাযৈ নমঃ ।
ওঁ কুসুমভূষিতাযৈ নমঃ ।
ওঁ মাহেশ্বর্যৈ নমঃ । 70 ।
ওঁ মহাদেবপ্রিযাযৈ নমঃ ।
ওঁ পন্নগভূষিতাযৈ নমঃ ।
ওঁ ইডাযৈ নমঃ ।
ওঁ পিঙ্গলাযৈ নমঃ ।
ওঁ সুষুম্নাপ্রাণরূপিণ্যৈ নমঃ ।
ওঁ গান্ধার্যৈ নমঃ ।
ওঁ পঞ্চম্যৈ নমঃ ।
ওঁ পঞ্চাননাদিপরিপূজিতাযৈ নমঃ ।
ওঁ তথ্যবিদ্যাযৈ নমঃ ।
ওঁ তথ্যরূপাযৈ নমঃ । 80 ।
ওঁ তথ্যমার্গানুসারিণ্যৈ নমঃ ।
ওঁ তত্ত্বরূপাযৈ নমঃ ।
ওঁ তত্ত্বপ্রিযাযৈ নমঃ ।
ওঁ তত্ত্বজ্ঞানাত্মিকাযৈ নমঃ ।
ওঁ অনঘাযৈ নমঃ ।
ওঁ তাণ্ডবাচারসন্তুষ্টাযৈ নমঃ ।
ওঁ তাণ্ডবপ্রিযকারিণ্যৈ নমঃ ।
ওঁ তালনাদরতাযৈ নমঃ ।
ওঁ ক্রূরতাপিন্যৈ নমঃ ।
ওঁ তরণিপ্রভাযৈ নমঃ । 90 ।
ওঁ ত্রপাযুক্তাযৈ নমঃ ।
ওঁ ত্রপামুক্তাযৈ নমঃ ।
ওঁ তর্পিতাযৈ নমঃ ।
ওঁ তৃপ্তিকারিণ্যৈ নমঃ ।
ওঁ তারুণ্যভাবসন্তুষ্টাযৈ নমঃ ।
ওঁ শক্তিভক্তানুরাগিণ্যৈ নমঃ ।
ওঁ শিবাসক্তাযৈ নমঃ ।
ওঁ শিবরত্যৈ নমঃ ।
ওঁ শিবভক্তিপরাযণাযৈ নমঃ ।
ওঁ তাম্রদ্যুত্যৈ নমঃ । 100 ।
ওঁ তাম্ররাগাযৈ নমঃ ।
ওঁ তাম্রপাত্রপ্রভোজিন্যৈ নমঃ ।
ওঁ বলভদ্রপ্রেমরতাযৈ নমঃ ।
ওঁ বলিভুজে নমঃ ।
ওঁ বলিকল্পন্যৈ নমঃ ।
ওঁ রামপ্রিযাযৈ নমঃ ।
ওঁ রামশক্ত্যৈ নমঃ ।
ওঁ রামরূপানুকারিণী নমঃ । 108 ।
About This Stotram
Sri Taramba Ashtottara Sata Namavali
Sanskrit Title: श्री ताराम्बा अष्टोत्तर शत नामावलिः
IAST Transliteration:
Overview
The Sri Taramba Ashtottara Sata Namavali is a devotional hymn dedicated to Goddess Tara, who is often associated with Rama in certain traditions, particularly in Tantric and Shakta practices where Tara is a prominent Mahavidya. The name 'Taramba' itself suggests a maternal or feminine aspect of the divine, and 'Tara' means 'star' or 'one who ferries across'. Reciting the 108 names is believed to invoke the blessings of the deity, offering spiritual protection, guidance, and the means to overcome worldly difficulties, thus 'ferrying' the devotee across the ocean of existence. The repetition of 'Om' and 'Namah' signifies the invocation and salutation to the divine.
Details
| Attribute | Information |
|---|---|
| Deity | Rama |
| Author | Unknown |
| Type | Namavali |
| Category | Namavali |
| Number of Verses | 108 |
| Origin | The origin of the Sri Taramba Ashtottara Sata Namavali is not explicitly stated in the provided text. Ashtottara Sata Namavali (meaning '108 names') are devotional hymns that typically list the names of a deity, each preceded by 'Om' and followed by 'Namah' (salutations). These are common in Hindu devotional traditions and are often found as standalone compositions or as part of larger texts. Given the deity is Rama, it's likely a Vaishnava devotional hymn. |
Benefits of Recitation
- Attainment of divine grace
- Removal of obstacles
- Protection from negative influences
- Spiritual growth and enlightenment
- Fulfillment of desires
Best Time to Recite
Morning, evening, during periods of spiritual practice, or when seeking divine intervention.
Historical Context
Ashtottara Sata Namavali compositions are a widespread form of Hindu devotional literature, prevalent across various traditions. The specific historical context of this particular Namavali is not documented in the provided information. However, the deity 'Rama' as the primary focus, combined with 'Taramba' (a form of Tara), suggests a possible syncretic tradition or a specific lineage where Rama is invoked through the energies of Tara. The composition date and author are unknown, as is common for many such devotional compilations that have evolved organically within religious communities.
Alternate Names
- Sri Rama Taramba Ashtottara Sata Namavali
- Taramba Namavali
Related Stotrams
- Sri Rama Ashtottara Sata Namavali
- Tara Ashtottara Sata Namavali