Vishvambhari Stuti
Vishvambhari Stuti
Vishvambhari Stuti
viśvambharī stuti
viśvambharī akhila viśva tanī janetā
vidyā dharī vadanamā vasajo vidhātā
durbuddhine dūra karī sadabuddhi āpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 1 ||
bhūlo paḍayī bhavarane bhaṭakū bhavānī
sūjhe nahīṃ lagira koī diśā javānī
bhāse bhayaṅkara vālī mana nā utāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 2 ||
ā raṅkane ugarāvā nathī koī āro
janmāṇḍa chū jananī hu grahī bāla tāro
nā śu suno bhagavatī śiśu nā vilāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 3 ||
mā karma janmā kathanī karatā vicārū
ā sruṣṭimā tuja vinā nathī koī mārū
kone kahū kathana yoga tano balāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 4 ||
hūvo kāma krodha mada moha thakī chakelo
ādambare ati ghano madathī bakelo
doṣoṃ thakī dūṣita nā karī māpha़ pāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 5 ||
nā śāśtranā śravaṇa nu payapāna kidhū
nā mantra ke stuti kathā nathī kāī kidhū
śraddhā dharī nathī karā tava nāma jāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 6 ||
re re bhavānī bahu bhūla thī che mārī
ā javoindagī thī mane atiśe akāri
doṣoṃ prajālī sagalā tavā chāpa chāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 7 ||
khālī na koī sthala che viṇa āpa dhāro
brahmāṇḍamā aṇu aṇu mahi vāsa tāro
śaktina māpa gaṇavā agaṇīta māpoṃ
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 8 ||
pāpe prapañca karavā badhī vāte puro
khoṭo kharo bhagavatī paṇa hū~ tamāro
jadyāndhakāra dūra sadabudhhī āpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 9 ||
śīkhe sune rasika candaja eka citte
tenā thakī vividhaḥ tāpa taleka cite
vādhe viśeṣa valī ambā tanā pratāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 10 ||
śrī sadaguru śaraṇamā rahīne bhaju chū
rātrī dine bhagavatī tujane bhaju chū
sadabhakta sevaka tanā paritāpa chāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 11 ||
antara viśe adhika urmī tatā bhavānī
gAUvo stuti tava bale namine mṛgānī
saṃsāranā sakala roga samūla kāpo
māma pāhi oṃ bhagavatī bhava duḥkha kāpo || 12 ||
About This Stotram
Vishvambhari Stuti
Sanskrit Title: विश्वम्भरी स्तुति
IAST Transliteration:
Overview
The Vishvambhari Stuti is a devotional hymn addressed to the Divine Mother, referred to as Vishvambhari, the sustainer of the universe. The name 'Vishvambhari' itself signifies her all-pervading and nurturing nature. The stotram emphasizes the Goddess's role as the source of knowledge and wisdom, capable of dispelling ignorance and bestowing intelligence. It also highlights her power to alleviate worldly suffering, fear, and anxiety, offering solace and protection to the devotee. The repeated invocation 'Mam pahi Om Bhagavati Bhava duhkha kapo' (Protect me, O Goddess, and alleviate the suffering of worldly existence) underscores the core plea for divine intervention and liberation from the cycle of birth and death. The stotram's significance lies in its direct appeal to the compassionate and all-powerful feminine aspect of the Divine, seeking spiritual upliftment and worldly well-being.
Details
| Attribute | Information |
|---|---|
| Deity | Devi (Goddess) |
| Author | Unknown |
| Type | Stotram |
| Category | Stotram |
| Number of Verses | 12 |
| Origin | The provided text indicates that the Vishvambhari Stuti is a collection of spiritual and devotional literature. However, its specific origin, such as the particular scripture or text it is derived from, and the exact period of its composition are not explicitly stated in the given information. It appears to be a standalone stotram, possibly composed by a devotee or a spiritual figure. |
Benefits of Recitation
- Removes ignorance and bestows good intellect (Verse 1)
- Removes fear and anxiety (Verse 2)
- Removes worldly suffering (Verse 1 & 2)
- Provides protection and guidance (Verse 1 & 2)
- Bestows divine grace and blessings
Best Time to Recite
Morning, Evening, during Navaratri, Durga Puja, or any time one seeks solace, protection, and spiritual guidance.
Historical Context
The exact historical context, including the author and the precise period of composition, is not available from the provided information. However, the language and devotional tone suggest it is likely a composition from the medieval or modern period of Indian devotional literature. The mention of 'Vedic Tithi' as a source suggests it is part of a compilation of Vedic and Sanskrit literature, indicating a tradition of preserving and disseminating such hymns.
Last Updated: 2025-12-01