Suvarnamala Stuti
Suvarnamala Stuti
Suvarnamala Stuti
suvarNamAlA stuti
atha kathamapi madrAsanAM tvadguNaleshairvishodhayAmi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 1 ||
AkhaNDalamadakhaNDanapaNDita taNDupriya chaNDIsha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 2 ||
ibhacharmAmbara shambararipuvapurapaharaNojjvalanayana vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 3 ||
Isha girIsha naresha paresha mahesha bileshayabhUShaNa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 4 ||
umayA divyasumaNgalavigrahayAliNgitavAmA~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 5 ||
UrIkuru mAmaj~namanAthaM dUrIkuru me duritaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 6 ||
RRiShivaramAnasahaMsa charAcharajananasthitilayakAraNa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 7 ||
RRIkShAdhIshakirITa mahokShArUDha vidhRRitarudrAkSha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 8 ||
luvarNadvandvamavRRintasukusumamivA~Nghrau tavArpayAmi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 9 ||
ekaM saditi shrutyA tvameva sadasItyupAsmahe mRRiDa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 10 ||
aikyaM nijabhaktebhyo vitarasi vishvambharo.atra sAkShI bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 11 ||
omiti tava nirdeShTrI mAyAsmAkaM mRRiDopakartrI bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 12 ||
audAsyaM sphuTayati viShayeShu digambaratA cha tavaiva vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 13 ||
antaHkaraNavishuddhiM bhaktiM cha tvayi satIM pradehi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 14 ||
astopAdhisamastavyastai rUpairjaganmayo.asi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 15 ||
karuNAvaruNAlaya mayi dAsa udAsastavochito na hi bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 16 ||
khalasahavAsaM vighaTaya ghaTaya satAmeva sa~NgamanishaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 17 ||
garalaM jagadupakRRitaye gilitaM bhavatA samo.asti ko.atra vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 18 ||
ghanasAragauragAtra prachurajaTAjUTabaddhaga~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 19 ||
j~naptiH sarvasharIreShvakhaNDitA yA vibhAti sA tvaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 20 ||
chapalaM mama hRRidayakapiM viShayadrucharaM dRRiDhaM badhAna vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 21 ||
ChAyA sthANorapi tava tApaM namatAM haratyaho shiva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 22 ||
jaya kailAsanivAsa pramathagaNAdhIsha bhUsurArchita bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 23 ||
jhaNutakajha~NkiNujhaNutatkiTataka-shabdairnaTasi mahAnaTa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 24 ||
j~nAnaM vikShepAvRRitirahitaM kuru me gurustvameva vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 25 ||
Ta~NkArastava dhanuSho dalayati hRRidayaM dviShAmashaniriva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 26 ||
ThAkRRitiriva tava mAyA bahirantaH shUnyarUpiNI khalu bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 27 ||
DambaramamburuhAmapi dalayatyanaghaM tvada~NghriyugalaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 28 ||
DhakkAkShasUtrashUladruhiNakaroTIsamullasatkara bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 29 ||
NAkAragarbhiNI chechChubhadA te sharagatirnRRiNAmiha bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 30 ||
tava manvatisa~njapataH sadyastarati naro hi bhavAbdhiM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 31 ||
thUtkArastasya mukhe bhUyAtte nAma nAsti yasya vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 32 ||
dayanIyashcha dayAluH ko.asti madanyastvadanya iha vada bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 33 ||
dharmasthApanadakSha tryakSha guro dakShayaj~nashikShaka bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 34 ||
nanu tADito.asi dhanuShA lubdhadhiyA tvaM purA nareNa vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 35 ||
parimAtuM tava mUrtiM nAlamajastatparAtparo.asi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 36 ||
phalamiha nRRitayA januShastvatpadasevA sanAtanesha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 37 ||
balamArogyaM chAyustvadguNaruchitAM chiraM pradehi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 38 ||
bhagavanbharga bhayApaha bhUtapate bhUtibhUShitA~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 39 ||
mahimA tava na hi mAti shrutiShu himAnIdharAtmajAdhava bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 40 ||
yamaniyamAdibhira~Ngairyamino hRRidaye bhajanti sa tvaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 41 ||
rajjAvahiriva shuktau rajatamiva tvayi jaganti bhAnti vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 42 ||
labdhvA bhavatprasAdAchchakraM vidhuravati lokamakhilaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 43 ||
vasudhAtaddharatachChayarathamaurvIshara parAkRRitAsura bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 44 ||
sharva deva sarvottama sarvada durvRRittagarvaharaNa vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 45 ||
ShaDripuShaDUrmiShaDvikArahara sanmukha ShaNmukhajanaka vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 46 ||
satyaM j~nAnamanantaM brahmetyetallakShaNalakShita bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 47 ||
hAhAhUhUmukhasuragAyakagItApadAnapadya vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 48 ||
lAdirna hi prayogastadantamiha ma~NgalaM sadAstu vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 49 ||
kShaNamiva divasAnneShyati tvatpadasevAkShaNotsukaH shiva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 50 ||
iti shrImatparamahaMsaparivrAjakAchAryasya shrIgovindabhagavatpUjyapAdashiShyasya shrImachCha~NkarabhagavataH kRRitau suvarNamAlA stutiH sampUrNA ||
About This Stotram
Suvarnamala Stuti
Sanskrit Title: सुवर्णमाला स्तुति
IAST Transliteration:
Overview
The Suvarnamala Stuti, as indicated by its name ('Suvarna' meaning gold and 'Mala' meaning garland), is likely a hymn that bestows spiritual wealth and purity upon the devotee, akin to a garland of gold. The verses, though only partially provided, address Lord Shiva with epithets like 'Samb Sadashiva Shambho Shankar', highlighting his supreme, benevolent, and auspicious nature. The act of seeking refuge ('sharanam me tava charanayugam') at his lotus feet is a central theme in devotional literature, signifying surrender and trust. Reciting this stotram is believed to purify the mind and soul, leading to spiritual progress and the grace of Lord Shiva. The recurring phrase 'Shambho Shankar sharanam me tava charanayugam' emphasizes the ultimate refuge found in Shiva's divine presence.
Details
| Attribute | Information |
|---|---|
| Deity | Lord Shiva |
| Author | Unknown |
| Type | Stotram |
| Category | Stotram |
| Number of Verses | 50 |
| Origin | The provided text snippet does not offer explicit information about the origin of the Suvarnamala Stuti within a larger scripture or text. It is presented as a standalone devotional hymn. The mention of 'Vedic Tithi' suggests it is part of a collection of Vedic and spiritual literature, but its specific source text is not identified. |
Benefits of Recitation
- Attainment of liberation (moksha)
- Removal of sins and obstacles
- Spiritual purification and enlightenment
- Protection from negative energies
- Fulfillment of desires through divine grace
Best Time to Recite
Mornings, evenings, during Shivaratri, during periods of spiritual seeking, or any time one feels the need for divine solace and strength.
Historical Context
The historical context of the Suvarnamala Stuti is not explicitly detailed in the provided information. However, the style of address and the deity invoked (Lord Shiva) are characteristic of devotional hymns composed during various periods in Hindu history, particularly those influenced by Shaivism. The composition likely belongs to the tradition of Sanskrit devotional literature, which flourished for centuries. Without further information on the author or the specific text it originates from, precise dating and authorial context remain elusive. The mention of 'Vedic Tithi' suggests a connection to Vedic traditions, implying a potentially ancient lineage or a composition that draws heavily from Vedic concepts and deities.
Related Stotrams
- Shiva Tandava Stotram
- Mahimna Stotram
- Lingashtakam
Last Updated: 2025-12-01