Suvarnamala Stuti
Suvarnamala Stuti
suvarNamAlA stuti
atha kathamapi madrAsanAM tvadguNalezairvizodhayAmi vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 1 ||
AkhaNDalamadakhaNDanapaNDita taNDupriya caNDIza vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 2 ||
ibhacarmAmbara zambararipuvapurapaharaNojjvalanayana vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 3 ||
Iza girIza nareza pareza maheza bilezayabhUSaNa bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 4 ||
umayA divyasumaGgalavigrahayAliGgitavAmAGga vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 5 ||
UrIkuru mAmajJamanAthaM dUrIkuru me duritaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 6 ||
RSivaramAnasahaMsa carAcarajananasthitilayakAraNa bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 7 ||
RRkSAdhIzakirITa mahokSArUDha vidhRtarudrAkSa vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 8 ||
luvarNadvandvamavRntasukusumamivAGghrau tavArpayAmi vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 9 ||
ekaM saditi zrutyA tvameva sadasItyupAsmahe mRDa bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 10 ||
aikyaM nijabhaktebhyo vitarasi vizvambharo'tra sAkSI bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 11 ||
omiti tava nirdeSTrI mAyAsmAkaM mRDopakartrI bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 12 ||
audAsyaM sphuTayati viSayeSu digambaratA ca tavaiva vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 13 ||
antaHkaraNavizuddhiM bhaktiM ca tvayi satIM pradehi vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 14 ||
astopAdhisamastavyastai rUpairjaganmayo'si vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 15 ||
karuNAvaruNAlaya mayi dAsa udAsastavocito na hi bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 16 ||
khalasahavAsaM vighaTaya ghaTaya satAmeva saGgamanizaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 17 ||
garalaM jagadupakRtaye gilitaM bhavatA samo'sti ko'tra vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 18 ||
ghanasAragauragAtra pracurajaTAjUTabaddhagaGga vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 19 ||
jJaptiH sarvazarIreSvakhaNDitA yA vibhAti sA tvaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 20 ||
capalaM mama hRdayakapiM viSayadrucaraM dRDhaM badhAna vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 21 ||
chAyA sthANorapi tava tApaM namatAM haratyaho ziva bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 22 ||
jaya kailAsanivAsa pramathagaNAdhIza bhUsurArcita bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 23 ||
jhaNutakajhaGkiNujhaNutatkiTataka-zabdairnaTasi mahAnaTa bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 24 ||
jJAnaM vikSepAvRtirahitaM kuru me gurustvameva vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 25 ||
TaGkArastava dhanuSo dalayati hRdayaM dviSAmazaniriva bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 26 ||
ThAkRtiriva tava mAyA bahirantaH zUnyarUpiNI khalu bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 27 ||
DambaramamburuhAmapi dalayatyanaghaM tvadaGghriyugalaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 28 ||
DhakkAkSasUtrazUladruhiNakaroTIsamullasatkara bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 29 ||
NAkAragarbhiNI cecchubhadA te zaragatirnRNAmiha bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 30 ||
tava manvatisaJjapataH sadyastarati naro hi bhavAbdhiM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 31 ||
thUtkArastasya mukhe bhUyAtte nAma nAsti yasya vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 32 ||
dayanIyazca dayAluH ko'sti madanyastvadanya iha vada bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 33 ||
dharmasthApanadakSa tryakSa guro dakSayajJazikSaka bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 34 ||
nanu tADito'si dhanuSA lubdhadhiyA tvaM purA nareNa vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 35 ||
parimAtuM tava mUrtiM nAlamajastatparAtparo'si vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 36 ||
phalamiha nRtayA januSastvatpadasevA sanAtaneza vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 37 ||
balamArogyaM cAyustvadguNarucitAM ciraM pradehi vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 38 ||
bhagavanbharga bhayApaha bhUtapate bhUtibhUSitAGga vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 39 ||
mahimA tava na hi mAti zrutiSu himAnIdharAtmajAdhava bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 40 ||
yamaniyamAdibhiraGgairyamino hRdaye bhajanti sa tvaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 41 ||
rajjAvahiriva zuktau rajatamiva tvayi jaganti bhAnti vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 42 ||
labdhvA bhavatprasAdAccakraM vidhuravati lokamakhilaM bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 43 ||
vasudhAtaddharatacchayarathamaurvIzara parAkRtAsura bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 44 ||
zarva deva sarvottama sarvada durvRttagarvaharaNa vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 45 ||
SaDripuSaDUrmiSaDvikArahara sanmukha SaNmukhajanaka vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 46 ||
satyaM jJAnamanantaM brahmetyetallakSaNalakSita bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 47 ||
hAhAhUhUmukhasuragAyakagItApadAnapadya vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 48 ||
lAdirna hi prayogastadantamiha maGgalaM sadAstu vibho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 49 ||
kSaNamiva divasAnneSyati tvatpadasevAkSaNotsukaH ziva bho |
sAmba sadAziva zambho zaGkara zaraNaM me tava caraNayugam || 50 ||
iti zrImatparamahaMsaparivrAjakAcAryasya zrIgovindabhagavatpUjyapAdaziSyasya zrImacchaGkarabhagavataH kRtau suvarNamAlA stutiH sampUrNA ||
About This Stotram
Suvarnamala Stuti
Sanskrit Title: सुवर्णमाला स्तुति
IAST Transliteration:
Overview
The Suvarnamala Stuti, as indicated by its name ('Suvarna' meaning gold and 'Mala' meaning garland), is likely a hymn that bestows spiritual wealth and purity upon the devotee, akin to a garland of gold. The verses, though only partially provided, address Lord Shiva with epithets like 'Samb Sadashiva Shambho Shankar', highlighting his supreme, benevolent, and auspicious nature. The act of seeking refuge ('sharanam me tava charanayugam') at his lotus feet is a central theme in devotional literature, signifying surrender and trust. Reciting this stotram is believed to purify the mind and soul, leading to spiritual progress and the grace of Lord Shiva. The recurring phrase 'Shambho Shankar sharanam me tava charanayugam' emphasizes the ultimate refuge found in Shiva's divine presence.
Details
| Attribute | Information |
|---|---|
| Deity | Lord Shiva |
| Author | Unknown |
| Type | Stotram |
| Category | Stotram |
| Number of Verses | 50 |
| Origin | The provided text snippet does not offer explicit information about the origin of the Suvarnamala Stuti within a larger scripture or text. It is presented as a standalone devotional hymn. The mention of 'Vedic Tithi' suggests it is part of a collection of Vedic and spiritual literature, but its specific source text is not identified. |
Benefits of Recitation
- Attainment of liberation (moksha)
- Removal of sins and obstacles
- Spiritual purification and enlightenment
- Protection from negative energies
- Fulfillment of desires through divine grace
Best Time to Recite
Mornings, evenings, during Shivaratri, during periods of spiritual seeking, or any time one feels the need for divine solace and strength.
Historical Context
The historical context of the Suvarnamala Stuti is not explicitly detailed in the provided information. However, the style of address and the deity invoked (Lord Shiva) are characteristic of devotional hymns composed during various periods in Hindu history, particularly those influenced by Shaivism. The composition likely belongs to the tradition of Sanskrit devotional literature, which flourished for centuries. Without further information on the author or the specific text it originates from, precise dating and authorial context remain elusive. The mention of 'Vedic Tithi' suggests a connection to Vedic traditions, implying a potentially ancient lineage or a composition that draws heavily from Vedic concepts and deities.
Related Stotrams
- Shiva Tandava Stotram
- Mahimna Stotram
- Lingashtakam
Last Updated: 2025-12-01