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Carnatic Music Svarajathi 3 (Raveme Maguva)

Carnatic Music Svarajathi 3 (Raveme Maguva)

Carnatic Music Svarajathi 3 (Raveme Maguva)

Stotram
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karṇāṭaka saṅgītaṃ svarajati 3 (rāveme maguvā)

rāgam: ānanda bhairavi (melakarta 20, naṭabhairavi janyarāga)

ārohaṇa: sa . . ga2, ri2 ga2 . ma1 . pa . da2, pa . . ni2 . sa'

avarohaṇa: sa' . ni2 da2 . pa . ma1 . ga2 ri2 . sa

tālam: catusra jāti tripuṭa tālam (ādi)

aṅgāḥ: 1 laghu (4 kāla) + 1 dhṛtam (2 kāla) + 1 dhṛtam (2 kāla)

rūpakarta: vīrabhadrayya

bhāṣā: tèlugu

sāhityam

pallavi

rāveme maguvā vinavu taguvā

veḍukanu karuṇa neḍu vagaguluka toḍukòni ||

anupallavi

ve vegamuga jani nā vibhu ganugòni

yī vādu valadani yī māṭa vinumani ||

caraṇaṃ 1

ā mānini vagale mā cèluvunakemo

ghanamuga docinanu maracènaṭa nemanukònu

yèdanikadhannambunandu nemī tocakanu nuṇṭi gada ||

caraṇaṃ 2

śrīkaruḍagu śobhānādrivibhuḍuneḍā

cèliṅgalasènaṭa nanuṅgaluvala

rājukalanadelcunaṭa upāyamunadelpi toḍukòni ||

svarāḥ

pallavi

pa    ,    ,    ,    |    pa    ma    ga    ma    |    pa    ,    ma    ,    |    pa    ma    ga    ri   |

rā---|--ve-|--me-|ma-gu-|

sa    ,    ,    ,    |    ,    ,    ma    ,    |    ga    ,    ,    ri   |    sa    ,    n   ,    |

va---|--vi-|na--vu|da-ka-|

sa    ,    ,    ,    |    ,    ,    sa    ,    |    ,    ,    ni@  ,    |    ga    ,    ri   ,    |

va---|--vè-|--du-|ka-nu-|

sa    ga    ri   ga    |    ,    ma    ga    ma    |    pa    da    pa    pa    |    ,    ma    ga    ma    |

karunane|-duvaka|kulukato|-dukòni|

anupallavi

pa    ,    ,    pa    |    ,    ,    pa    ,    |    ni   ,    ni   ,    |    sa    ,    sa    ,    |

ve--ve|--ga-|mu-ka-|ja-ni-|

sa    ,    ,    ma    |    ,    ,    ga    ,    |    ri   ,    ni   ,    |    sa    ,    sa    ,    |

nā-vim-|--pu-|ka-nu-|kò-ni-|

pa    ,    ,    sa    |    ,    ,    sa    ,    |    ni   ,    da    ,    |    pa    ,    ma    ,    |

ī--vā|--du-|va-la-|da-ni-|

ma    ,    ,    pa    |    ,    ,    ma    ,    |    ga    ,    ri   ,    |    ga    ,    ma    ,    ||

ī--mā|--ṭa-|vi-nu-|ma-ni-||

caraṇaṃ 1

pa    ,    pa    ,    |    da    pa    ma    ga    |    ma    ,    ma    ,    |    pa    ma    ga    ri   |

ā-mā-|ninivaka|le-mo-|caluvuni|

ga    ,    ga    ,    |    ma    ga    ri   sa    |    ni@  ,    sa    ga    |    ri   ma    ga    ri   ||

ke-mo-|ganamuka|to-cina|numaracè||

ri   sa    ni@  ,    |    sa    ga    ri   sa    |    pa    ma    ga    ri   |    ni@  sa    ,    ga    |

natane-|manukònu|yathanika|manam-bu|

ri   ,    ma    ga    |    ,    pa    ma    ,    |    pa    da    pa    pa    |    ,    ma    ga    ma    ||

nan-dune|-mito-|cagnunun|-digaḍa||

caraṇaṃ 2

pa    ,    da    pa    |    ma    ga    ma    ,    |    ma    ,    ,    ,    |    ma    ,    pa    ma    |

śrī-garu|ḍa--śo|bha---|na-trivi|

ga    ri   ga    ,    |    ga    ,    ,    ,    |    ma    pa    ,    ma    |    ga    ri   sa    ni@  ||

pudune-|dā---|cèliṅ-ga|lacènaṭa||

sa    ma    ,    ga    |    ri   sa    ma    pa    |    ,    ma    ga    ri   |    pa    sa'   ,    ni   |

nanuṅ-ga|luvalurā|-jugala|nudèl-su|

da    pa    ma    pa    |    ,    ma    ga    ma    |    ni@  ,    sa    ga    |    ,    ri   ga    ma    ||

nataupā|-yamunu|tèl-pito|-dukòni||

About This Stotram

Overview

"Raveme Maguva" is the third in this collection of Carnatic Music Svarajathis, a compositional form in South Indian classical music that alternates rhythmic jathi passages with devotional lyrical sections. This composition is set in Raga Anandabhairavi and Chatushra Jati Triputa Talam, and belongs to the Carnatic devotional music tradition.

What are the benefits of chanting Raveme Maguva?

  • Development of musical proficiency in the svarajathi form
  • Practice within Raga Anandabhairavi, a raga known for its evocative emotional quality
  • Cultivation of devotional sentiment through classical musical expression
  • Advancement in rhythmic coordination in the Carnatic music curriculum

When is the best time to recite this?

This svarajathi may be performed during daily music practice sessions, devotional gatherings, and Carnatic music concerts. The specific occasion may also depend on the deity addressed in the lyrics, though the deity is not identified in available sources.

What is the historical and traditional background?

Svarajathis as a compositional form developed within the Carnatic tradition and became an established part of the pedagogical sequence between geethams and kritis. Raga Anandabhairavi has been used extensively in Carnatic compositions across many forms due to its capacity for expressing a range of emotions. The composer of this specific svarajathi is not identified in available sources, which is common for compositions within the traditional pedagogical repertoire. The Roopakartha attribution noted in some versions of this text likely refers to a specific compositional or performance aspect.

Available scripts

This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.

Related Texts

  • Carnatic Music Svarajathi 2 (Samba Shiva) — the preceding svarajathi in this collection, set in Raga Khamaas
  • Carnatic Music Geethams — simpler compositions in the Carnatic curriculum that precede svarajathis in difficulty