Annamayya Keerthanas Bhavayami Gopalabalam
Annamayya Keerthanas Bhavayami Gopalabalam
अन्नमय्य कीर्तन भावयामि गोपालबालं
रागं: यमुना कल्याणि (65 मेचकल्याणि जन्य)
आ: स रि2 ग3 प म2 प द2 स
अव: स द2 प म2 प ग3 रि2 स
तालं: खण्ड चापु
पल्लवि
भावयामि गोपालबालं
मन-स्सेवितं तत्पदं चिन्तयेहं सदा ॥
चरणं 1
कटि घटित मेखला खचितमणि घण्टिका-
पटल निनदेन विभ्राजमानं ।
कुटिल पद घटित सङ्कुल शिञ्जितेनतं
चटुल नटना समुज्ज्वल विलासं ॥
भावयामि गोपालबालं (प)
मन-स्सेवितं तत्पदं चिन्तयेहं सदा ॥ (प)
चरणं 2
निरतकर कलित नवनीतं ब्रह्मादि
सुर निकर भावना शोभित पदं ।
तिरुवेङ्कटाचल स्थितं अनुपमं हरिं
परम पुरुषं गोपालबालं ॥
भावयामि गोपालबालं (प )
मन-स्सेवितं तत्पदं चिन्तयेहं सदा ॥ (प )
About This Stotram
Overview
Bhavayami Gopalabalam is a Telugu keerthana by Tallapaka Annamacharya (1408–1503 CE), dedicated to Gopala, the child form of Lord Krishna. The title means "I meditate on the child Gopala." The song invites devotees to visualise Krishna's divine childhood and belongs to the South Indian Vaishnava Bhakti tradition. It is set to Raga Yaman Kalyani and Khanda Chapu tala.
What are the benefits of chanting Bhavayami Gopalabalam?
- Recitation cultivates meditation on Krishna's divine child form (Balakrishna).
- Devotees sing it to develop an affectionate and intimate devotional attitude toward the Lord.
- The keerthana brings peace and spiritual contentment through contemplation.
- It is recited during Janmashtami and other Krishna festivals to celebrate his childhood.
- Chanting fosters the bhava (feeling) of childlike surrender in devotion.
When is the best time to recite this?
Bhavayami Gopalabalam is recited during morning worship, during Janmashtami, and at personal devotional sessions focused on Krishna. It is suitable whenever a devotee wishes to meditate on Gopala's divine form.
Historical and traditional background
Annamacharya was a 15th-century Vaishnava saint-composer at the Tirumala temple and a prolific author of over 32,000 Telugu keerthanas. While most of his compositions are dedicated to Venkateswara, this keerthana addresses Krishna in his childhood aspect, reflecting the broader Vaishnava devotional landscape of his era. His works were inscribed on copper plates at Tirumala and are part of South India's Carnatic devotional music heritage.
Available scripts
This text is available in 14 scripts: Devanagari, Tamil, Telugu, Kannada, Malayalam, Gujarati, Bengali, IAST, Gurmukhi, Oriya, Assamese, Sinhala, ITRANS, HK. Use the script selector to read it in your preferred script.
Related Texts
- Gopala Sahasranamam — the thousand names of Gopala (Krishna), a longer devotional text in the same tradition.
- Alokaye Sri Balakrishnam — another devotional hymn addressing the child form of Krishna.
