Parvati Chalisa, Parvati Mata Chalisa
Parvati Chalisa, Parvati Mata Chalisa
Parvati Chalisa, Parvati Mata Chalisa
Brahma Bheda Na Tumharo Pave
|| dohA ||
jaya girI tanaye dakShaje,
shambhu priye guNakhAni|
gaNapati jananI pArvatI,
ambe! shakti! bhavAni||
|| chaupAI ||
brahmA bheda na tumharo pAve|
paMcha badana nita tumako dhyAve||
ShaDmukha kahi na sakata yasha tero|
sahasabadana shrama karata ghanero||
teU pAra na pAvata mAtA|
sthita rakShA laya hita sajAtA||
adhara pravAla sadRRisha aruNAre|
ati kamanIya nayana kajarAre||
lalita lalATa vilepita keshara|
kuMkuma akShata shobhA manahara||
kanaka basana kaMchukI sajAe|
kaTI mekhalA divya laharAe||
kaNTha madAra hAra kI shobhA|
jAhi dekhi sahajahi mana lobhA||
bAlAruNa ananta Chabi dhArI|
AbhUShaNa kI shobhA pyArI||
nAnA ratna jaTita siMhAsana|
tApara rAjati hari chaturAnana||
indrAdika parivAra pUjita|
jaga mRRiga nAga yakSha rava kUjita||
gira kailAsa nivAsinI jaya jaya|
koTika prabhA vikAsina jaya jaya||
tribhuvana sakala kuTumba tihArI|
aNu aNu mahaM tumhArI ujiyArI||
haiM mahesha prANesha! tumhAre|
tribhuvana ke jo nita rakhavAre||
unaso pati tuma prApta kInha jaba|
sukRRita purAtana udita bhae taba||
bUढ़A baila savArI jinakI|
mahimA kA gAve kou tinakI||
sadA shmashAna bihArI shaMkara|
AbhUShaNa haiM bhujaMga bhayaMkara||
kaNTha halAhala ko Chabi ChAyI|
nIlakaNTha kI padavI pAyI||
deva magana ke hita asa kInhoM|
viSha lai Apu tinahi ami dInhoM||
tAkI tuma patnI Chavi dhAriNi|
dUrita vidAriNI maMgala kAriNi||
dekhi parama saundarya tihAro|
tribhuvana chakita banAvana hAro||
bhaya bhItA so mAtA gaMgA|
lajjA maya hai salila taraMgA||
sauta samAna shambhu pahaAyI|
viShNu padAbja ChoDa़i so dhAyI||
tehikoM kamala badana murajhAyo|
lakhi satvara shiva shIsha chaढ़Ayo||
nityAnanda karI baradAyinI|
abhaya bhakta kara nita anapAyinI||
akhila pApa trayatApa nikandini|
mAheshvarI himAlaya nandini||
kAshI purI sadA mana bhAyI|
siddha pITha tehi Apu banAyI||
bhagavatI pratidina bhikShA dAtrI|
kRRipA pramoda saneha vidhAtrI||
ripukShaya kAriNi jaya jaya ambe|
vAchA siddha kari avalambe||
gaurI umA shaMkarI kAlI|
annapUrNA jaga pratipAlI||
saba jana kI IshvarI bhagavatI|
patiprANA parameshvarI satI||
tumane kaThina tapasyA kInI|
nArada soM jaba shikShA lInI||
anna na nIra na vAyu ahArA|
asthi mAtratana bhayau tumhArA||
patra ghAsa ko khAdya na bhAyau|
umA nAma taba tumane pAyau||
tapa biloki riShi sAta padhAre|
lage DigAvana DigI na hAre||
taba tava jaya jaya jaya uchchAreu|
saptariShi nija geha sidhAreu||
sura vidhi viShNu pAsa taba Ae|
vara dene ke vachana sunAe||
mAMge umA vara pati tuma tinasoM|
chAhata jaga tribhuvana nidhi jinasoM||
evamastu kahi te doU gae|
suphala manoratha tumane lae||
kari vivAha shiva soM he bhAmA|
punaH kahAI hara kI bAmA||
jo paDha़ihai jana yaha chAlIsA|
dhana jana sukha deihai tehi IsA||
|| dohA ||
kUTa chandrikA subhaga shira,
jayati jayati sukha khAni|
pArvatI nija bhakta hita,
rahahu sadA varadAni||
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About This Stotram
Overview
Parvati Chalisa is a Hindi devotional hymn dedicated to Goddess Parvati, the consort of Lord Shiva and mother of Ganesha and Kartikeya. Structured in the chalisa format of forty chaupai verses, the text praises Parvati's divine power (Shakti), her beauty, and her role as a compassionate protector. It belongs to the Hindi bhakti chalisa tradition within Shaiva and Shakta devotional practice.
What are the benefits of chanting Parvati Chalisa?
- Invokes the goddess's blessings for marital harmony and family well-being
- Removes obstacles in daily life through devotional recitation
- Cultivates strength and courage with the support of divine Shakti
- Fulfills personal devotional intentions and petitions to the goddess
When is the best time to recite this?
The chalisa is recited in the morning or evening. Navaratri, the Shravana month, and days specifically associated with Parvati worship (especially Tuesdays and Fridays) are particularly appropriate occasions.
What is the historical and traditional background?
The chalisa form became popular across northern India during the medieval period as a way to compose accessible, vernacular devotional poetry. The Parvati Chalisa follows that tradition; its author is not recorded. The text is not derived from a specific Puranic or Vedic source but represents the folk devotional literature that developed around Goddess Parvati worship. Such chalisas circulated orally and in print, becoming standard texts in household Devi puja across Hindi-speaking regions of India.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Parvathi Ashtottara Sata Namavali — the 108 names of Parvati, used in archana alongside chalisa recitation in Parvati worship
- Lalita Sahasranama — the principal thousand-name text of Goddess Devi/Parvati in the Shakta tradition