Parvati Chalisa, Parvati Mata Chalisa
Parvati Chalisa, Parvati Mata Chalisa
Parvati Chalisa, Parvati Mata Chalisa
Brahma Bheda Na Tumharo Pave
|| dohā ||
jaya girī tanaye dakṣaje,
śambhu priye guṇakhāni|
gaṇapati jananī pārvatī,
ambe! śakti! bhavāni||
|| caupāī ||
brahmā bheda na tumharo pāve|
paṃca badana nita tumako dhyāve||
ṣaḍmukha kahi na sakata yaśa tero|
sahasabadana śrama karata ghanero||
teū pāra na pāvata mātā|
sthita rakṣā laya hita sajātā||
adhara pravāla sadṛśa aruṇāre|
ati kamanīya nayana kajarāre||
lalita lalāṭa vilepita keśara|
kuṃkuma akṣata śobhā manahara||
kanaka basana kaṃcukī sajāe|
kaṭī mekhalā divya laharāe||
kaṇṭha madāra hāra kī śobhā|
jāhi dekhi sahajahi mana lobhā||
bālāruṇa ananta chabi dhārī|
ābhūṣaṇa kī śobhā pyārī||
nānā ratna jaṭita siṃhāsana|
tāpara rājati hari caturānana||
indrādika parivāra pūjita|
jaga mṛga nāga yakṣa rava kūjita||
gira kailāsa nivāsinī jaya jaya|
koṭika prabhā vikāsina jaya jaya||
tribhuvana sakala kuṭumba tihārī|
aṇu aṇu mahaṃ tumhārī ujiyārī||
haiṃ maheśa prāṇeśa! tumhāre|
tribhuvana ke jo nita rakhavāre||
unaso pati tuma prāpta kīnha jaba|
sukṛta purātana udita bhae taba||
būढ़ā baila savārī jinakī|
mahimā kā gāve kou tinakī||
sadā śmaśāna bihārī śaṃkara|
ābhūṣaṇa haiṃ bhujaṃga bhayaṃkara||
kaṇṭha halāhala ko chabi chāyī|
nīlakaṇṭha kī padavī pāyī||
deva magana ke hita asa kīnhoṃ|
viṣa lai āpu tinahi ami dīnhoṃ||
tākī tuma patnī chavi dhāriṇi|
dūrita vidāriṇī maṃgala kāriṇi||
dekhi parama saundarya tihāro|
tribhuvana cakita banāvana hāro||
bhaya bhītā so mātā gaṃgā|
lajjā maya hai salila taraṃgā||
sauta samāna śambhu pahaāyī|
viṣṇu padābja choḍa़i so dhāyī||
tehikoṃ kamala badana murajhāyo|
lakhi satvara śiva śīśa caढ़āyo||
nityānanda karī baradāyinī|
abhaya bhakta kara nita anapāyinī||
akhila pāpa trayatāpa nikandini|
māheśvarī himālaya nandini||
kāśī purī sadā mana bhāyī|
siddha pīṭha tehi āpu banāyī||
bhagavatī pratidina bhikṣā dātrī|
kṛpā pramoda saneha vidhātrī||
ripukṣaya kāriṇi jaya jaya ambe|
vācā siddha kari avalambe||
gaurī umā śaṃkarī kālī|
annapūrṇā jaga pratipālī||
saba jana kī īśvarī bhagavatī|
patiprāṇā parameśvarī satī||
tumane kaṭhina tapasyā kīnī|
nārada soṃ jaba śikṣā līnī||
anna na nīra na vāyu ahārā|
asthi mātratana bhayau tumhārā||
patra ghāsa ko khādya na bhāyau|
umā nāma taba tumane pāyau||
tapa biloki riṣi sāta padhāre|
lage ḍigāvana ḍigī na hāre||
taba tava jaya jaya jaya uccāreu|
saptariṣi nija geha sidhāreu||
sura vidhi viṣṇu pāsa taba āe|
vara dene ke vacana sunāe||
māṃge umā vara pati tuma tinasoṃ|
cāhata jaga tribhuvana nidhi jinasoṃ||
evamastu kahi te doū gae|
suphala manoratha tumane lae||
kari vivāha śiva soṃ he bhāmā|
punaḥ kahāī hara kī bāmā||
jo paḍha़ihai jana yaha cālīsā|
dhana jana sukha deihai tehi īsā||
|| dohā ||
kūṭa candrikā subhaga śira,
jayati jayati sukha khāni|
pārvatī nija bhakta hita,
rahahu sadā varadāni||
Related Scriptures
1000 Names of Goddess Bagalamukhi
1000 verses
1000 Names of Goddess Bhairavi
1000 verses
1000 Names of Goddess Bhuvaneshvari
1000 verses
1000 Names of Goddess Chhinnamasta
1000 verses
1000 Names of Goddess Dhumavati
1000 verses
1000 Names of Goddess Kamala
1000 verses
About This Stotram
Overview
Parvati Chalisa is a Hindi devotional hymn dedicated to Goddess Parvati, the consort of Lord Shiva and mother of Ganesha and Kartikeya. Structured in the chalisa format of forty chaupai verses, the text praises Parvati's divine power (Shakti), her beauty, and her role as a compassionate protector. It belongs to the Hindi bhakti chalisa tradition within Shaiva and Shakta devotional practice.
What are the benefits of chanting Parvati Chalisa?
- Invokes the goddess's blessings for marital harmony and family well-being
- Removes obstacles in daily life through devotional recitation
- Cultivates strength and courage with the support of divine Shakti
- Fulfills personal devotional intentions and petitions to the goddess
When is the best time to recite this?
The chalisa is recited in the morning or evening. Navaratri, the Shravana month, and days specifically associated with Parvati worship (especially Tuesdays and Fridays) are particularly appropriate occasions.
What is the historical and traditional background?
The chalisa form became popular across northern India during the medieval period as a way to compose accessible, vernacular devotional poetry. The Parvati Chalisa follows that tradition; its author is not recorded. The text is not derived from a specific Puranic or Vedic source but represents the folk devotional literature that developed around Goddess Parvati worship. Such chalisas circulated orally and in print, becoming standard texts in household Devi puja across Hindi-speaking regions of India.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Parvathi Ashtottara Sata Namavali — the 108 names of Parvati, used in archana alongside chalisa recitation in Parvati worship
- Lalita Sahasranama — the principal thousand-name text of Goddess Devi/Parvati in the Shakta tradition