Parvati Chalisa, Parvati Mata Chalisa
Parvati Chalisa, Parvati Mata Chalisa
Brahma Bheda Na Tumharo Pave
|| dohA ||
jaya girI tanaye dakSaje,
zambhu priye guNakhAni|
gaNapati jananI pArvatI,
ambe! zakti! bhavAni||
|| caupAI ||
brahmA bheda na tumharo pAve|
paMca badana nita tumako dhyAve||
SaDmukha kahi na sakata yaza tero|
sahasabadana zrama karata ghanero||
teU pAra na pAvata mAtA|
sthita rakSA laya hita sajAtA||
adhara pravAla sadRza aruNAre|
ati kamanIya nayana kajarAre||
lalita lalATa vilepita kezara|
kuMkuma akSata zobhA manahara||
kanaka basana kaMcukI sajAe|
kaTI mekhalA divya laharAe||
kaNTha madAra hAra kI zobhA|
jAhi dekhi sahajahi mana lobhA||
bAlAruNa ananta chabi dhArI|
AbhUSaNa kI zobhA pyArI||
nAnA ratna jaTita siMhAsana|
tApara rAjati hari caturAnana||
indrAdika parivAra pUjita|
jaga mRga nAga yakSa rava kUjita||
gira kailAsa nivAsinI jaya jaya|
koTika prabhA vikAsina jaya jaya||
tribhuvana sakala kuTumba tihArI|
aNu aNu mahaM tumhArI ujiyArI||
haiM maheza prANeza! tumhAre|
tribhuvana ke jo nita rakhavAre||
unaso pati tuma prApta kInha jaba|
sukRta purAtana udita bhae taba||
bUढ़A baila savArI jinakI|
mahimA kA gAve kou tinakI||
sadA zmazAna bihArI zaMkara|
AbhUSaNa haiM bhujaMga bhayaMkara||
kaNTha halAhala ko chabi chAyI|
nIlakaNTha kI padavI pAyI||
deva magana ke hita asa kInhoM|
viSa lai Apu tinahi ami dInhoM||
tAkI tuma patnI chavi dhAriNi|
dUrita vidAriNI maMgala kAriNi||
dekhi parama saundarya tihAro|
tribhuvana cakita banAvana hAro||
bhaya bhItA so mAtA gaMgA|
lajjA maya hai salila taraMgA||
sauta samAna zambhu pahaAyI|
viSNu padAbja choDa़i so dhAyI||
tehikoM kamala badana murajhAyo|
lakhi satvara ziva zIza caढ़Ayo||
nityAnanda karI baradAyinI|
abhaya bhakta kara nita anapAyinI||
akhila pApa trayatApa nikandini|
mAhezvarI himAlaya nandini||
kAzI purI sadA mana bhAyI|
siddha pITha tehi Apu banAyI||
bhagavatI pratidina bhikSA dAtrI|
kRpA pramoda saneha vidhAtrI||
ripukSaya kAriNi jaya jaya ambe|
vAcA siddha kari avalambe||
gaurI umA zaMkarI kAlI|
annapUrNA jaga pratipAlI||
saba jana kI IzvarI bhagavatI|
patiprANA paramezvarI satI||
tumane kaThina tapasyA kInI|
nArada soM jaba zikSA lInI||
anna na nIra na vAyu ahArA|
asthi mAtratana bhayau tumhArA||
patra ghAsa ko khAdya na bhAyau|
umA nAma taba tumane pAyau||
tapa biloki riSi sAta padhAre|
lage DigAvana DigI na hAre||
taba tava jaya jaya jaya uccAreu|
saptariSi nija geha sidhAreu||
sura vidhi viSNu pAsa taba Ae|
vara dene ke vacana sunAe||
mAMge umA vara pati tuma tinasoM|
cAhata jaga tribhuvana nidhi jinasoM||
evamastu kahi te doU gae|
suphala manoratha tumane lae||
kari vivAha ziva soM he bhAmA|
punaH kahAI hara kI bAmA||
jo paDha़ihai jana yaha cAlIsA|
dhana jana sukha deihai tehi IsA||
|| dohA ||
kUTa candrikA subhaga zira,
jayati jayati sukha khAni|
pArvatI nija bhakta hita,
rahahu sadA varadAni||
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About This Stotram
Overview
Parvati Chalisa is a Hindi devotional hymn dedicated to Goddess Parvati, the consort of Lord Shiva and mother of Ganesha and Kartikeya. Structured in the chalisa format of forty chaupai verses, the text praises Parvati's divine power (Shakti), her beauty, and her role as a compassionate protector. It belongs to the Hindi bhakti chalisa tradition within Shaiva and Shakta devotional practice.
What are the benefits of chanting Parvati Chalisa?
- Invokes the goddess's blessings for marital harmony and family well-being
- Removes obstacles in daily life through devotional recitation
- Cultivates strength and courage with the support of divine Shakti
- Fulfills personal devotional intentions and petitions to the goddess
When is the best time to recite this?
The chalisa is recited in the morning or evening. Navaratri, the Shravana month, and days specifically associated with Parvati worship (especially Tuesdays and Fridays) are particularly appropriate occasions.
What is the historical and traditional background?
The chalisa form became popular across northern India during the medieval period as a way to compose accessible, vernacular devotional poetry. The Parvati Chalisa follows that tradition; its author is not recorded. The text is not derived from a specific Puranic or Vedic source but represents the folk devotional literature that developed around Goddess Parvati worship. Such chalisas circulated orally and in print, becoming standard texts in household Devi puja across Hindi-speaking regions of India.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Parvathi Ashtottara Sata Namavali — the 108 names of Parvati, used in archana alongside chalisa recitation in Parvati worship
- Lalita Sahasranama — the principal thousand-name text of Goddess Devi/Parvati in the Shakta tradition