Bhagyada Lakshmi Baramma
Bhagyada Lakshmi Baramma
bhAgyadA lakSmI bArammA
rAgam: zrI (melakarta 22 kharaharapriya janyarAga)
ArohaNa: sa ri2 ma1 pa ni2 sa
avarohaNa: sa ni2 pa da2 ni2 pa ma1 ri2 ga2 ri2 sa
tAlam: Adi
rUpakarta: purandhara dAsa
bhASA: kannaDa
pallavi
bhAgyadA lakSmI bArammA
nammamma nI sau-bhAgyadA lakSmI bArammA ||
caraNaM 1
hèjjèyè mele hèjjèya nikkuta
gèjjè kAlgalA dhvaniya toruta (mADuta)
sajjana sAdhU pUjèya velègè
majjigèyòlagina bèNNèyantè ||
(bhAgyadA)
caraNaM 2
kanakAvRSTiya karèyuta bAre
manakAmanèyA siddhiya torè |
dinakarakoTI tejadi hòlèyuva
janakarAyanA kumAri bega ||
(bhAgyadA)
caraNaM 3
attittagaladè bhaktara manèyali
nitya mahotsava nitya sumaGgala |
satyava toruva sAdhu sajjanara
cittadi hòlèyuva putthali bòmbè ||
(bhAgyadA)
caraNaM 4
saGkhye illada bhAgyava kòTTu
kaGkaNa kaiyA tiruvuta bArè |
kuGkumAGkitè paGkaja locanè
veGkaTa ramaNana biGkadarANI ||
(bhAgyadA)
caraNaM 5
sakkèrè tuppada kAluvèharisi
zukravAradA pUjèya velègè |
akkèrèyulla alagiri raGgana
còkka purandara viThThalana rANI ||
(bhAgyadA)
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About This Stotram
Overview
Bhagyada Lakshmi Baramma is a Kannada devotional composition in the Suladi form dedicated to Goddess Lakshmi, the deity of wealth and fortune. It is attributed to Purandara Dasa (c. 1484–1564), the foundational figure of Carnatic music and the Haridasa tradition of Karnataka. The text belongs to the South Indian Vaishnava Bhakti tradition.
What are the benefits of chanting Bhagyada Lakshmi Baramma?
- Recitation is said to attract the blessings of Goddess Lakshmi for wealth and prosperity.
- It is chanted to seek relief from financial difficulties.
- Devotees use it as a prayer for good fortune and abundance.
- Regular practice is associated with peace of mind and contentment.
- It is used to deepen devotion to the Divine Mother in her form as the bestower of fortune.
When is the best time to recite this?
Morning recitation is standard. Fridays are considered particularly auspicious for Lakshmi worship. The composition is also recited during Diwali and other festivals dedicated to Goddess Lakshmi.
What is the historical and traditional background?
Purandara Dasa (c. 1484–1564) is widely regarded as the Pitamaha (grandfather) of Carnatic music and a key figure of the Haridasa Bhakti tradition in Karnataka. He composed thousands of songs in Kannada and Sanskrit. Bhagyada Lakshmi Baramma is a Suladi — a multi-verse composition with a pallavi, anupallavi, and multiple charanas set to a specific raga and tala — and is set in Raga Shri and Adi Tala. It is one of his most frequently performed compositions and is a standard piece in Carnatic music and Karnataka temple worship.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Sri Suktam — a Vedic hymn dedicated to Goddess Lakshmi, used in formal Lakshmi puja across traditions.
- Kanaka Dhara Stotram — a Sanskrit hymn attributed to Adi Shankaracharya seeking the blessings of Goddess Lakshmi.