Bhagyada Lakshmi Baramma
Bhagyada Lakshmi Baramma
भाग्यदा लक्ष्मी बारम्मा
रागम्: श्री (मेलकर्त 22 खरहरप्रिय जन्यराग)
आरोहण: स रि2 म1 प नि2 स
अवरोहण: स नि2 प द2 नि2 प म1 रि2 ग2 रि2 स
तालम्: आदि
रूपकर्त: पुरन्धर दास
भाषा: कन्नड
पल्लवि
भाग्यदा लक्ष्मी बारम्मा
नम्मम्म नी सौ-भाग्यदा लक्ष्मी बारम्मा ॥
चरणं 1
हॆज्जॆयॆ मेले हॆज्जॆय निक्कुत
गॆज्जॆ काल्गला ध्वनिय तोरुत (माडुत)
सज्जन साधू पूजॆय वेलॆगॆ
मज्जिगॆयॊलगिन बॆण्णॆयन्तॆ ॥
(भाग्यदा)
चरणं 2
कनकावृष्टिय करॆयुत बारे
मनकामनॆया सिद्धिय तोरॆ ।
दिनकरकोटी तेजदि हॊलॆयुव
जनकरायना कुमारि बेग ॥
(भाग्यदा)
चरणं 3
अत्तित्तगलदॆ भक्तर मनॆयलि
नित्य महोत्सव नित्य सुमङ्गल ।
सत्यव तोरुव साधु सज्जनर
चित्तदि हॊलॆयुव पुत्थलि बॊम्बॆ ॥
(भाग्यदा)
चरणं 4
सङ्ख्ये इल्लद भाग्यव कॊट्टु
कङ्कण कैया तिरुवुत बारॆ ।
कुङ्कुमाङ्कितॆ पङ्कज लोचनॆ
वेङ्कट रमणन बिङ्कदराणी ॥
(भाग्यदा)
चरणं 5
सक्कॆरॆ तुप्पद कालुवॆहरिसि
शुक्रवारदा पूजॆय वेलॆगॆ ।
अक्कॆरॆयुल्ल अलगिरि रङ्गन
चॊक्क पुरन्दर विठ्ठलन राणी ॥
(भाग्यदा)
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About This Stotram
Overview
Bhagyada Lakshmi Baramma is a Kannada devotional composition in the Suladi form dedicated to Goddess Lakshmi, the deity of wealth and fortune. It is attributed to Purandara Dasa (c. 1484–1564), the foundational figure of Carnatic music and the Haridasa tradition of Karnataka. The text belongs to the South Indian Vaishnava Bhakti tradition.
What are the benefits of chanting Bhagyada Lakshmi Baramma?
- Recitation is said to attract the blessings of Goddess Lakshmi for wealth and prosperity.
- It is chanted to seek relief from financial difficulties.
- Devotees use it as a prayer for good fortune and abundance.
- Regular practice is associated with peace of mind and contentment.
- It is used to deepen devotion to the Divine Mother in her form as the bestower of fortune.
When is the best time to recite this?
Morning recitation is standard. Fridays are considered particularly auspicious for Lakshmi worship. The composition is also recited during Diwali and other festivals dedicated to Goddess Lakshmi.
What is the historical and traditional background?
Purandara Dasa (c. 1484–1564) is widely regarded as the Pitamaha (grandfather) of Carnatic music and a key figure of the Haridasa Bhakti tradition in Karnataka. He composed thousands of songs in Kannada and Sanskrit. Bhagyada Lakshmi Baramma is a Suladi — a multi-verse composition with a pallavi, anupallavi, and multiple charanas set to a specific raga and tala — and is set in Raga Shri and Adi Tala. It is one of his most frequently performed compositions and is a standard piece in Carnatic music and Karnataka temple worship.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Sri Suktam — a Vedic hymn dedicated to Goddess Lakshmi, used in formal Lakshmi puja across traditions.
- Kanaka Dhara Stotram — a Sanskrit hymn attributed to Adi Shankaracharya seeking the blessings of Goddess Lakshmi.