Shri Bajrang Baan
Shri Bajrang Baan
Shri Bajrang Baan
Jaya Hanumanta Santa Hitakari
|| dohā ||
niścaya prema pratīti te,
binaya karai sanamāna|
tehi ke kāraja sakala śubha,
siddha karai hanumāna||
|| caupāī ||
jaya hanumanta santa hitakārī|
suni lījai prabhu araja hamārī||
jana ke kāja vilamba na kījai|
ātura dauri mahā sukha dījai||
jaise kūdi sindhu vahi pārā|
surasā badana paiṭhi bistārā||
āge jāya laṃkinī rokā|
mārehu lāta gaī sura lokā||
jāya vibhīṣaṇa ko sukha dīnhā|
sītā nirakhi parama pada līnhā||
bāga ujāri sindhu mahaṃ borā|
ati ātura yama kātara torā||
akṣaya kumāra māri saṃhārā|
lūma lapeṭi laṃka ko jārā||
lāha samāna laṃka jari gaī|
jaya jaya dhuni sura pura mahaṃ bhaī||
aba vilamba kehi kāraṇa svāmī|
kṛpā karahuṃ ura antaryāmī||
jaya jaya lakṣmaṇa prāṇa ke dātā|
ātura hoi duḥkha karahuṃ nipātā||
jaya giridhara jaya jaya sukha sāgara|
sura samūha samaratha bhaṭanāgara||
oṃ hanu hanu hanu hanu hanumanta haṭhīle|
bairihiṃ mārū bajra kī kīle||
gadā bajra lai bairihiṃ māro|
mahārāja prabhu dāsa ubāro||
oṃkāra huṃkāra mahāprabhu dhāvo|
bajra gadā hanu vilamba na lāvo||
oṃ hrīṃ hrīṃ hrīṃ hanumanta kapīsā|
oṃ huṃ huṃ huṃ hanu ari ura śīśā||
satya hou hari śapatha pāyake|
rāmadūta dharu māru dhāya ke||
jaya jaya jaya hanumanta agādhā|
duḥkha pāvata jana kehi aparādhā||
pūjā japa tapa nema acārā|
nahiṃ jānata kachu dāsa tumhārā||
vana upavana maga giri gṛha māhīṃ|
tumare bala hama ḍarapata nāhīṃ||
pāya parauṃ kara jori manāvoṃ|
yaha avasara aba kehi goharāvoṃ||
jaya aṃjani kumāra balavantā|
śaṃkara suvana dhīra hanumantā||
badana karāla kāla kula ghālaka|
rāma sahāya sadā pratipālaka||
bhūta preta piśāca niśācara|
agni baitāla kāla mārīmara||
inheṃ māru tohi śapatha rāma kī|
rākhu nātha marajāda nāma kī||
janakasutā hari dāsa kahāvo|
tākī śapatha vilamba na lāvo||
jaya jaya jaya dhuni hota akāśā|
sumirata hota dusaha duḥkha nāśā||
caraṇa śaraṇa kari jori manāvoṃ|
yahi avasara aba kehi goharāvoṃ||
uṭhu uṭhu calu tohiṃ rāma duhāī|
pāṃya parauṃ kara jori manāī||
oṃ caṃ caṃ caṃ caṃ capala calantā|
oṃ hanu hanu hanu hanu hanumantā||
oṃ haṃ haṃ hāṃka deta kapi cañcala|
oṃ saṃ saṃ sahama parāne khala dala||
apane jana ko turata ubāro|
sumirata hoya ānanda hamāro||
yahi bajaraṃga bāṇa jehi māro|
tāhi kaho phira kauna ubāro||
pāṭha karai bajaraṃga bāṇa kī|
hanumata rakṣā karai prāṇa kī||
yaha bajaraṃga bāṇa jo jāpai|
tehi te bhūta preta saba kāṃpe||
dhūpa deya aru japai hameśā|
tāke tana nahiṃ rahe kaleśā||
|| dohā ||
prema pratītihiṃ kapi bhajai,
sadā dharai ura dhyāna|
tehi ke kāraja sakala śubha,
siddha karai hanumāna||
About This Stotram
Overview
Shri Bajrang Baan is a Hindi devotional hymn dedicated to Lord Hanuman, composed in the tradition of Vaishnava bhakti poetry. The word "baan" (arrow) in the title conveys the text's intent as a direct, focused invocation for protection and strength. The verses narrate Hanuman's heroic qualities and ask for his intervention against obstacles and harmful forces. It is widely recited in North India alongside the Hanuman Chalisa and belongs to the medieval Hindi devotional literary tradition.
What are the benefits of chanting Shri Bajrang Baan?
- Invokes Hanuman's protection against negative influences and harmful forces
- Removal of obstacles in personal, professional, and spiritual life
- Grants mental strength, courage, and confidence according to traditional accounts
- Recited for fulfillment of specific desires when other efforts have not succeeded
When is the best time to recite this?
Tuesdays and Saturdays, which are dedicated to Hanuman, are the most commonly recommended days. It is also recited on Hanuman Jayanti and during times of personal distress or fear. Morning and evening recitation are both considered appropriate.
What is the historical and traditional background?
The Bajrang Baan has no confirmed individual author; it is generally dated to the medieval or early modern period and attributed to the bhakti tradition that produced related Hanuman devotional texts. The composition style — rhyming Hindi verse with refrain structures — is consistent with the vernacular devotional poetry that became widespread from around the 14th to 17th centuries CE. The text is especially prominent in North India and is recited in Hanuman temples alongside the Hanuman Chalisa. Traditional guidance often recommends reciting it with caution and genuine devotional intent, reflecting its reputation as a particularly direct form of invocation.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Shri Hanuman (Hanuman Chalisa) — the 40-verse Hindi hymn attributed to Tulsidas, the most widely recited companion text to the Bajrang Baan
- Shri Giriraj Chalisa — another Hindi chalisa in the same North Indian bhakti devotional tradition