Shri Bajrang Baan
Shri Bajrang Baan
Jaya Hanumanta Santa Hitakari
|| dohA ||
nizcaya prema pratIti te,
binaya karai sanamAna|
tehi ke kAraja sakala zubha,
siddha karai hanumAna||
|| caupAI ||
jaya hanumanta santa hitakArI|
suni lIjai prabhu araja hamArI||
jana ke kAja vilamba na kIjai|
Atura dauri mahA sukha dIjai||
jaise kUdi sindhu vahi pArA|
surasA badana paiThi bistArA||
Age jAya laMkinI rokA|
mArehu lAta gaI sura lokA||
jAya vibhISaNa ko sukha dInhA|
sItA nirakhi parama pada lInhA||
bAga ujAri sindhu mahaM borA|
ati Atura yama kAtara torA||
akSaya kumAra mAri saMhArA|
lUma lapeTi laMka ko jArA||
lAha samAna laMka jari gaI|
jaya jaya dhuni sura pura mahaM bhaI||
aba vilamba kehi kAraNa svAmI|
kRpA karahuM ura antaryAmI||
jaya jaya lakSmaNa prANa ke dAtA|
Atura hoi duHkha karahuM nipAtA||
jaya giridhara jaya jaya sukha sAgara|
sura samUha samaratha bhaTanAgara||
OM hanu hanu hanu hanu hanumanta haThIle|
bairihiM mArU bajra kI kIle||
gadA bajra lai bairihiM mAro|
mahArAja prabhu dAsa ubAro||
OMkAra huMkAra mahAprabhu dhAvo|
bajra gadA hanu vilamba na lAvo||
OM hrIM hrIM hrIM hanumanta kapIsA|
OM huM huM huM hanu ari ura zIzA||
satya hou hari zapatha pAyake|
rAmadUta dharu mAru dhAya ke||
jaya jaya jaya hanumanta agAdhA|
duHkha pAvata jana kehi aparAdhA||
pUjA japa tapa nema acArA|
nahiM jAnata kachu dAsa tumhArA||
vana upavana maga giri gRha mAhIM|
tumare bala hama Darapata nAhIM||
pAya parauM kara jori manAvoM|
yaha avasara aba kehi goharAvoM||
jaya aMjani kumAra balavantA|
zaMkara suvana dhIra hanumantA||
badana karAla kAla kula ghAlaka|
rAma sahAya sadA pratipAlaka||
bhUta preta pizAca nizAcara|
agni baitAla kAla mArImara||
inheM mAru tohi zapatha rAma kI|
rAkhu nAtha marajAda nAma kI||
janakasutA hari dAsa kahAvo|
tAkI zapatha vilamba na lAvo||
jaya jaya jaya dhuni hota akAzA|
sumirata hota dusaha duHkha nAzA||
caraNa zaraNa kari jori manAvoM|
yahi avasara aba kehi goharAvoM||
uThu uThu calu tohiM rAma duhAI|
pAMya parauM kara jori manAI||
OM caM caM caM caM capala calantA|
OM hanu hanu hanu hanu hanumantA||
OM haM haM hAMka deta kapi caJcala|
OM saM saM sahama parAne khala dala||
apane jana ko turata ubAro|
sumirata hoya Ananda hamAro||
yahi bajaraMga bANa jehi mAro|
tAhi kaho phira kauna ubAro||
pATha karai bajaraMga bANa kI|
hanumata rakSA karai prANa kI||
yaha bajaraMga bANa jo jApai|
tehi te bhUta preta saba kAMpe||
dhUpa deya aru japai hamezA|
tAke tana nahiM rahe kalezA||
|| dohA ||
prema pratItihiM kapi bhajai,
sadA dharai ura dhyAna|
tehi ke kAraja sakala zubha,
siddha karai hanumAna||
About This Stotram
Overview
Shri Bajrang Baan is a Hindi devotional hymn dedicated to Lord Hanuman, composed in the tradition of Vaishnava bhakti poetry. The word "baan" (arrow) in the title conveys the text's intent as a direct, focused invocation for protection and strength. The verses narrate Hanuman's heroic qualities and ask for his intervention against obstacles and harmful forces. It is widely recited in North India alongside the Hanuman Chalisa and belongs to the medieval Hindi devotional literary tradition.
What are the benefits of chanting Shri Bajrang Baan?
- Invokes Hanuman's protection against negative influences and harmful forces
- Removal of obstacles in personal, professional, and spiritual life
- Grants mental strength, courage, and confidence according to traditional accounts
- Recited for fulfillment of specific desires when other efforts have not succeeded
When is the best time to recite this?
Tuesdays and Saturdays, which are dedicated to Hanuman, are the most commonly recommended days. It is also recited on Hanuman Jayanti and during times of personal distress or fear. Morning and evening recitation are both considered appropriate.
What is the historical and traditional background?
The Bajrang Baan has no confirmed individual author; it is generally dated to the medieval or early modern period and attributed to the bhakti tradition that produced related Hanuman devotional texts. The composition style — rhyming Hindi verse with refrain structures — is consistent with the vernacular devotional poetry that became widespread from around the 14th to 17th centuries CE. The text is especially prominent in North India and is recited in Hanuman temples alongside the Hanuman Chalisa. Traditional guidance often recommends reciting it with caution and genuine devotional intent, reflecting its reputation as a particularly direct form of invocation.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Shri Hanuman (Hanuman Chalisa) — the 40-verse Hindi hymn attributed to Tulsidas, the most widely recited companion text to the Bajrang Baan
- Shri Giriraj Chalisa — another Hindi chalisa in the same North Indian bhakti devotional tradition