Shiva Tandava Stotram
Shiva Tandava Stotram
ziva tANDava stotram
jaTATavIgalajjalapravAhapAvitasthale
galevalambya lambitAM bhujaGgatuGgamAlikAm |
DamaDDamaDDamaDDamanninAdavaDDamarvayaM
cakAra caNDatANDavaM tanotu naH zivaH zivam || 1 ||
jaTAkaTAhasambhramabhramannilimpanirjharI-
-vilolavIcivallarIvirAjamAnamUrdhani |
dhagaddhagaddhagajjvalallalATapaTTapAvake
kizoracandrazekhare ratiH pratikSaNaM mama || 2 ||
dharAdharendranandinIvilAsabandhubandhura
sphuraddigantasantatipramodamAnamAnase |
kRpAkaTAkSadhoraNIniruddhadurdharApadi
kvaciddigambare mano vinodametu vastuni || 3 ||
jaTAbhujaGgapiGgalasphuratphaNAmaNiprabhA
kadambakuGkumadravapraliptadigvadhUmukhe |
madAndhasindhurasphurattvaguttarIyamedure
mano vinodamadbhutaM bibhartu bhUtabhartari || 4 ||
sahasralocanaprabhRtyazeSalekhazekhara
prasUnadhUlidhoraNI vidhUsarAGghripIThabhUH |
bhujaGgarAjamAlayA nibaddhajATajUTaka
zriyai cirAya jAyatAM cakorabandhuzekharaH || 5 ||
lalATacatvarajvaladdhanaJjayasphuliGgabhA-
-nipItapaJcasAyakaM namannilimpanAyakam |
sudhAmayUkhalekhayA virAjamAnazekharaM
mahAkapAlisampadezirojaTAlamastu naH || 6 ||
karAlaphAlapaTTikAdhagaddhagaddhagajjvala-
ddhanaJjayAdharIkRtapracaNDapaJcasAyake |
dharAdharendranandinIkucAgracitrapatraka-
-prakalpanaikazilpini trilocane matirmama || 7 ||
navInameghamaNDalI niruddhadurdharasphurat-
kuhUnizIthinItamaH prabandhabandhukandharaH |
nilimpanirjharIdharastanotu kRttisindhuraH
kalAnidhAnabandhuraH zriyaM jagaddhurandharaH || 8 ||
praphullanIlapaGkajaprapaJcakAlimaprabhA-
-vilambikaNThakandalIruciprabaddhakandharam |
smaracchidaM puracchidaM bhavacchidaM makhacchidaM
gajacchidAndhakacchidaM tamantakacchidaM bhaje || 9 ||
agarvasarvamaGgalAkalAkadambamaJjarI
rasapravAhamAdhurI vijRmbhaNAmadhuvratam |
smarAntakaM purAntakaM bhavAntakaM makhAntakaM
gajAntakAndhakAntakaM tamantakAntakaM bhaje || 10 ||
jayatvadabhravibhramabhramadbhujaGgamazvasa-
-dvinirgamatkramasphuratkarAlaphAlahavyavAT |
dhimiddhimiddhimidhvananmRdaGgatuGgamaGgala
dhvanikramapravartita pracaNDatANDavaH zivaH || 11 ||
dRSadvicitratalpayorbhujaGgamauktikasrajor-
-gariSTharatnaloSThayoH suhRdvipakSapakSayoH |
tRSNAravindacakSuSoH prajAmahImahendrayoH
samaM pravartayanmanaH kadA sadAzivaM bhaje || 12 ||
kadA nilimpanirjharInikuJjakoTare vasan
vimuktadurmatiH sadA ziraHsthamaJjaliM vahan |
vimuktalolalocano lalATaphAlalagnakaH
ziveti mantramuccaran sadA sukhI bhavAmyaham || 13 ||
imaM hi nityamevamuktamuttamottamaM stavaM
paThansmaranbruvannaro vizuddhimetisantatam |
hare gurau subhaktimAzu yAti nAnyathA gatiM
vimohanaM hi dehinAM suzaGkarasya cintanam || 14 ||
pUjAvasAnasamaye dazavaktragItaM yaH
zambhupUjanaparaM paThati pradoSe |
tasya sthirAM rathagajendraturaGgayuktAM
lakSmIM sadaiva sumukhiM pradadAti zambhuH || 15 ||
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About This Stotram
Overview
The Shiva Tandava Stotram is a Sanskrit hymn of 15 verses attributed to Ravana, the scholarly king of Lanka, describing Lord Shiva's cosmic Tandava dance with vivid imagery of elemental forces, celestial serpents, and the drumbeat of creation and dissolution. It is one of the most widely recited Shaiva hymns and is known for its complex meter and dramatic poetic style. The text belongs to Shaiva devotional literature and is not drawn from a canonical Puranic or Vedic scripture.
What are the benefits of chanting Shiva Tandava Stotram?
- Associated with removal of sins and obstacles through invocation of Shiva's fierce creative energy
- Recitation is said to grant strength and courage by meditating on Shiva's power
- Supports mental focus and concentration through the demands of its complex meter
- Leads toward spiritual liberation (Moksha) according to traditional accounts of the text
When is the best time to recite this?
The stotram is commonly recited during morning and evening prayers. Maha Shivaratri, the Shravana month, and Chaturdashi (fourteenth lunar day) are the most fitting occasions. It is also recited during periods of personal difficulty.
What is the historical and traditional background?
Traditional accounts place the composition of the Shiva Tandava Stotram in the Treta Yuga, linking it to the Ramayana narrative in which Ravana lifts Mount Kailasa to demonstrate devotion; Shiva pins the mountain down, and Ravana sings this hymn to obtain release. While the text's historical date cannot be confirmed, it has been transmitted continuously within Shaiva traditions and is regarded as an important example of Sanskrit devotional poetry. Its attribution to Ravana — portrayed as both devotee and adversary — makes it distinctive within Hindu hymnology.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Shiva Mahimna Stotram — another major Sanskrit hymn praising Shiva's cosmic greatness, similarly regarded as highly potent in Shaiva tradition
- Shivashtakam — a shorter 8-verse ashtakam to Shiva, recited alongside the Tandava Stotram in many devotional contexts