Shiva Suvarnamala (Swarnamala) Stuti
Shiva Suvarnamala (Swarnamala) Stuti
Shiva Suvarnamala (Swarnamala) Stuti
shiva suvarNamAlA stuti
atha kathamapi madrAsanAM tvadguNaleshairvishodhayAmi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 1 ||
AkhaNDalamadakhaNDanapaNDita taNDupriya chaNDIsha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 2 ||
ibhacharmAmbara shambararipuvapurapaharaNojjvalanayana vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 3 ||
Isha girIsha naresha paresha mahesha bileshayabhUShaNa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 4 ||
umayA divyasumaNgalavigrahayAliNgitavAmA~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 5 ||
UrIkuru mAmaj~namanAthaM dUrIkuru me duritaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 6 ||
RRiShivaramAnasahaMsa charAcharajananasthitilayakAraNa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 7 ||
RRIkShAdhIshakirITa mahokShArUDha vidhRRitarudrAkSha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 8 ||
luvarNadvandvamavRRintasukusumamivA~Nghrau tavArpayAmi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 9 ||
ekaM saditi shrutyA tvameva sadasItyupAsmahe mRRiDa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 10 ||
aikyaM nijabhaktebhyo vitarasi vishvambharo.atra sAkShI bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 11 ||
omiti tava nirdeShTrI mAyAsmAkaM mRRiDopakartrI bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 12 ||
audAsyaM sphuTayati viShayeShu digambaratA cha tavaiva vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 13 ||
antaHkaraNavishuddhiM bhaktiM cha tvayi satIM pradehi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 14 ||
astopAdhisamastavyastai rUpairjaganmayo.asi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 15 ||
karuNAvaruNAlaya mayi dAsa udAsastavochito na hi bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 16 ||
khalasahavAsaM vighaTaya ghaTaya satAmeva sa~NgamanishaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 17 ||
garalaM jagadupakRRitaye gilitaM bhavatA samo.asti ko.atra vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 18 ||
ghanasAragauragAtra prachurajaTAjUTabaddhaga~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 19 ||
j~naptiH sarvasharIreShvakhaNDitA yA vibhAti sA tvaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 20 ||
chapalaM mama hRRidayakapiM viShayadrucharaM dRRiDhaM badhAna vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 21 ||
ChAyA sthANorapi tava tApaM namatAM haratyaho shiva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 22 ||
jaya kailAsanivAsa pramathagaNAdhIsha bhUsurArchita bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 23 ||
jhaNutakajha~NkiNujhaNutatkiTataka-shabdairnaTasi mahAnaTa bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 24 ||
j~nAnaM vikShepAvRRitirahitaM kuru me gurustvameva vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 25 ||
Ta~NkArastava dhanuSho dalayati hRRidayaM dviShAmashaniriva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 26 ||
ThAkRRitiriva tava mAyA bahirantaH shUnyarUpiNI khalu bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 27 ||
DambaramamburuhAmapi dalayatyanaghaM tvada~NghriyugalaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 28 ||
DhakkAkShasUtrashUladruhiNakaroTIsamullasatkara bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 29 ||
NAkAragarbhiNI chechChubhadA te sharagatirnRRiNAmiha bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 30 ||
tava manvatisa~njapataH sadyastarati naro hi bhavAbdhiM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 31 ||
thUtkArastasya mukhe bhUyAtte nAma nAsti yasya vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 32 ||
dayanIyashcha dayAluH ko.asti madanyastvadanya iha vada bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 33 ||
dharmasthApanadakSha tryakSha guro dakShayaj~nashikShaka bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 34 ||
nanu tADito.asi dhanuShA lubdhadhiyA tvaM purA nareNa vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 35 ||
parimAtuM tava mUrtiM nAlamajastatparAtparo.asi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 36 ||
phalamiha nRRitayA januShastvatpadasevA sanAtanesha vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 37 ||
balamArogyaM chAyustvadguNaruchitAM chiraM pradehi vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 38 ||
bhagavanbharga bhayApaha bhUtapate bhUtibhUShitA~Nga vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 39 ||
mahimA tava na hi mAti shrutiShu himAnIdharAtmajAdhava bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 40 ||
yamaniyamAdibhira~Ngairyamino hRRidaye bhajanti sa tvaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 41 ||
rajjAvahiriva shuktau rajatamiva tvayi jaganti bhAnti vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 42 ||
labdhvA bhavatprasAdAchchakraM vidhuravati lokamakhilaM bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 43 ||
vasudhAtaddharatachChayarathamaurvIshara parAkRRitAsura bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 44 ||
sharva deva sarvottama sarvada durvRRittagarvaharaNa vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 45 ||
ShaDripuShaDUrmiShaDvikArahara sanmukha ShaNmukhajanaka vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 46 ||
satyaM j~nAnamanantaM brahmetyetallakShaNalakShita bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 47 ||
hAhAhUhUmukhasuragAyakagItApadAnapadya vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 48 ||
lAdirna hi prayogastadantamiha ma~NgalaM sadAstu vibho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 49 ||
kShaNamiva divasAnneShyati tvatpadasevAkShaNotsukaH shiva bho |
sAmba sadAshiva shambho sha~Nkara sharaNaM me tava charaNayugam || 50 ||
iti shrImatparamahaMsaparivrAjakAchAryasya shrIgovindabhagavatpUjyapAdashiShyasya shrImachCha~NkarabhagavataH kRRitau suvarNamAlA stutiH sampUrNA ||
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About This Stotram
Overview
The Shiva Suvarnamala Stuti is a Sanskrit devotional hymn of 50 verses dedicated to Lord Shiva. The name "Suvarnamala" (golden garland) describes the verses as a precious offering arranged in sequence. The refrain "Samba Sadashiva Shambho Shankara sharanam me tava charanayugam" (I take refuge at your feet, O Samba Sadashiva) runs through the text, establishing surrender and refuge as its central theme. It belongs to Shaiva devotional stotra literature; the author is unknown.
What are the benefits of chanting Shiva Suvarnamala Stuti?
- Cultivates the disposition of surrender (sharana) toward Shiva through the repeated refrain
- Supports purification of the mind by reflecting on Shiva's divine qualities across 50 verses
- Provides a structured act of seeking refuge and protection
- Associated with receiving Shiva's grace when recited with focused devotion
When is the best time to recite this?
Morning and evening recitations are standard. Mahashivaratri, the Shravana month, and Mondays dedicated to Shiva are the most commonly recommended occasions for this stuti.
What is the historical and traditional background?
The Shiva Suvarnamala Stuti has no identified author and does not appear as part of a canonical Vedic or Puranic scripture. The composition belongs to the post-Vedic devotional stotra tradition within Shaivism, in which poets composed verse garlands to honor the deity through praise and surrender. The use of multiple Shiva epithets — Sadashiva, Shambhu, Shankara — draws from Puranic and Agamic sources. The text appears in collected editions of Shaiva devotional literature and is recited in South Indian Shiva temple contexts.
Available scripts
This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.
Related Texts
- Shiva Mahimna Stotram — another long-form Sanskrit praise of Shiva that uses a comparable range of divine epithets
- Shivananda Lahari — a 100-verse devotional outpouring to Shiva, sharing the "garland of praise" format