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Stotram - Sacred Scripture

Carnatic Music Svarajathi 2 (Samba Shiva)

Carnatic Music Svarajathi 2 (Samba Shiva)

Stotram
Shiva
0 Verses
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karNATaka saGgItaM svarajati 2 (sAmba ziva)

rAgam khamAs (melakarta 28, harikAmbhoji janyarAga)

ArohaNa: sa . . . . ma1, ga3 ma1 . pa . da2 ni2 . sa'

avarohaNa: sa' . ni2 da2 . pa . ma1 ga3 . ri2 . sa

tAlam: catusra jAti tripuTa tAlam (Adi)

rUpakarta: cinnakRSNa dAsar

pallavi

sAmbazivAyanave rAjitagiri

zAmbhavImanoharA parAtparA kRpAkarA zrI

caraNaM 1

nIve guru daivambani ye velanu sevimpucu sadA madini ziva

caraNaM 2

parama dayAnidhi vanucu maruvaka nA hRdayamuna

mahAdeva mahAprabho sundara nayana suravara dAyaka bhavabhaya haraziva

caraNaM 3

sthira madhurApuramuna varamulòsagu haruni niratamunu dalaci

caraNaM 4

zrI zubhakara zazi makuTadhara jaya vijaya tripuraharA-

zritajana lolAdbhuta guNazIlA kRtanutapAlA patituni lolA-

mudambala raGga padAbjamulandu padambulujercu pazupatini

jJAnamu dhyAnamu snAnamu pAnamu

dAnamu mAnamu abhimAnamanucu

kanikaramuna caraNambulu kanu-

gònu zRtulannutula zaraNanucu (sAmba)

caraNaM 5 (khaNDa gati - 5 kAla)

sArèsArègu nI nAma mantraM korinAnu nI pAdAmbuja mantram

dAsuDau cinni kRSNuniki dikku nIveyani zòkkanAthuni nammukòni

svarAH

pallavi

sa'   ,    ,    ,    |    sa'   ,    ni   ,    |    da    ,    pa    ,    |    ,    ma    ga    ,    |

sA---|--mba-|zi-vA–|-yana-|

ma    ,    ,    ,    |    ,    ,    ga    ,    |    ma    ,    pa    ,    |    da    ,    ni   ,    ||

ve---|--rA-|ji-ta-|gi-ri-||

sa'   ,    ,    ri'  |    ni   ,    ,    sa'   |    da    ,    ,    ni   |    pa    ,    ,    da    |

zAm--bha|vI--ma|no--ha|rA--pa|

ma    ,    ,    pa    |    ma    ,    ,    ga    |    ma    ,    ,    pa    |    da    ,    ,    ni   ||

rA--tpa|rA–-kR|pA--ka|rA--zrI||

caraNaM 1

sa'   ,    ri'  ,    |    sa'   ni   -    ni   |    sa'   –    ni   da    |    da    ,    ni   ,    |

nI-ve-|gurudai-|vam-bani|ye-ve-|

da    pa    -    pa    |    da    -    ma    ga    |    sa    ma    -    ga    |    ma    pa    da    ni   ||

lanuse-|vim-pucu|sadA-ma|diniziva||

(sAmba zivAyanave)

caraNaM 2

sa'   ri'  sa'   ni   |    sa'   ,    ,    ,    |    ni   sa'   ni   da    |    ni   ,    ,    ,    |

paramada|yA---|nidhivanu|cu---|

da    ni   da    pa    |    da    ,    ,    ,    |    pa    da    pa    ma    |    pa    ,    ,    ,    ||

maruvaka|nA---|hRdayamu|na---||

sa    sa    sa    sa    |    ma    ma    ma    ma    |    pa    pa    pa    pa    |    da    da    da    da    |

mahAdeva|mahAprabho|sun-dara|nA-yaka|

ni   sa'   ni   sa'   |    ni   ,    da    pa    |    da    pa    ma    ga    |    ma    pa    da    ni   ||

suravara|dA-yaka|bhavabhaya|haraziva||

(sAmba zivAyanave)

caraNaM 3

da    sa'   ni   da    |    pa    ma    ga    ma    |    pa    ,    ,    ,    |    pa    da    ni   da    |

sthiramadhu|rApuramu|na---|varamulò|

pa    ma    ga    ga    |    ma    ,    ,    ,    |    pa    ni   da    ni   |    da    pa    da    ni   ||

saguharu|ni---|niratamu|nudalaci||

(sAmba zivAyanave)

caraNaM 4

sa'   ,    ,    ,    |    ,    ,    sa'   ni   |    ni   da    da    pa    |    pa    ma    ga    ga    |

zrI---|--zubha|karazazi|makuTadha|

ma    ,    ,    ,    |    ,    ,    pa    da    |    ni   da    ma    ga    |    ma    pa    da    ni   ||

rA---|--jaya|vijayatri|puraharA||

sa'   ma'   ga'   sa'   |    sa'   ,    sa'   ,    |    sa'   ri'  sa'   sa'   |    ni   ,    ni   ,    |

zritajana|lo-lA-|dbhutaguNa|zI-lA-|

ni   sa'   ni   da    |    da    ,    da    ,    |    pa    da    pa    ma    |    pa    ,    pa    ,    ||

kRtanuta|bA-lA-|patituni|lo-lA-||

sa    ma    ,    ma    |    ga    pa    ,    pa    |    ma    da    ,    da    |    pa    ni   ,    ni   |

mudam-ba|laraM-ga|padA-bja|mulan-du|

da    ri'  ,    ri'  |    ni   sa'   ,    sa'   |    ni   sa'   ni   da    |    pa    ,    ,    ,    ||

padam-bu|luje-rcu|pazupati|ni---||

ma    ,    pa    ma    |    pa    ,    da    pa    |    da    ,    ni   da    |    ni   ,    sa'   ni   |

jJA-namu|dhyA-namu|snA-namu|pA-namu|

sa'   ,    ri'  sa'   |    ri'  ,    sa'   ni   |    sa'   ri'  sa'   ,    |    ni   da    pa    ma    ||

dA-namu|mA-namu|abhimA-|namanucu||

ga    ma    pa    da    |    ni   sa'   ni   ri'  |    sa'   ,    ,    ,    |    sa'   ri'  ni   sa'   |

kanikara|munacara|Nam---|bulukanu|

da    ni   pa    da    |    ma    ,    ,    ,    |    da    pa    ma    ga    |    ma    pa    da    ni   ||

gònuzRtu|lan---|nutulaza|raNanucu||

(sAmba zivAyanave)

caraNaM 5 (khaNDa gati - 5 kAla)

sa'   ,    ri'  sa'   ,    |    ni   ,    da    ni   ,    |    sa'   ,    ni   da    ,    |    pa    ,    ,    ,    ,    |

sA-rasA-|re-guni-|nA-maman-|tram----|

pa    ,    da    ni   ,    |    da    ,    pa    ma    ,    |    pa    ,    ma    ga    ,    |    ma    ,    ,    ,    ,    ||

ko-rinA-|nu-nIpa-|dA-bjaman-|tram----||

ma    ,    ga    ma    ,    |    pa    ,    ma    pa    ,    |    da    ,    pa    da    ,    |    ni   ,    da    ni   ,    |

dA-suDau-|ci-nnikR-|SNu-niki-|di-kkunI,|

sa'   ,    ri'  sa'   ,    |    ni   ,    da    ni   ,    |    sa'   ,    ni   da    ,    |    ma    ,    pa    da    ,    ||

ve-yani-|zò-kkanA-|thu-nina-|mmu-kòni-||

(sAmba zivAyanave)

About This Stotram

Overview

"Samba Shiva" is the second in this collection of Carnatic Music Svarajathis, a compositional form combining rhythmic passages (jathis) with devotional lyrics. Set in Raga Khamaas and Chatusra Jaati Triputa Tala, this piece addresses Lord Shiva as Paratpara (supreme among the supreme) and Krupakara (bestower of grace), and is attributed to Chinnakrishna Dasaru within the South Indian classical music tradition.

What are the benefits of chanting Samba Shiva Svarajathi?

  • Cultivation of devotion to Lord Shiva through classical music
  • Development of melodic and rhythmic skills in the svarajathi form
  • Invocation of Shiva's grace and protective presence
  • Practice of the Khamaas raga within a devotional composition

When is the best time to recite this?

This svarajathi may be performed during morning or evening devotional sessions, on Mondays (associated with Shiva worship), during Shivaratri and Maha Shivaratri, and during Carnatic music concerts or recitals that include devotional compositions.

What is the historical and traditional background?

The svarajathi form developed within the Carnatic music tradition, with significant contributions from composers associated with the Tanjore region from the late 18th century onward. This composition is attributed to Chinnakrishna Dasaru, though detailed biographical information about this composer is not widely available in standard sources. The text integrates the Shaivite devotional tradition with the formal structures of Carnatic composition, presenting praise of Shiva through a vehicle that demands musical skill alongside devotional intent.

Available scripts

This text is available in 14 scripts: devanagari, tamil, telugu, kannada, malayalam, gujarati, bengali, iast, gurmukhi, oriya, assamese, sinhala, itrans, hk. Use the script selector above to switch between them.

Related Texts

  • Carnatic Music Svarajathi 1 (Rara Venu Gopa Bala) — the first svarajathi in this collection, dedicated to Lord Krishna
  • Lingashtakam — a devotional hymn to the Shiva Linga sharing the same Shaivite focus